On this site you will find short descriptions of the research group members' interests and contact information, as well as links to projects and the websites of the members.
Henning Laugerud (research group leader) is Associate Professor of Art History at The University of Bergen. His research interests include museological studies, history of science, visual cultural studies, rhetoric, art- and interpretative theories (and their history), memory-studies, devotions and the history of the gaze in the medieval and early modern period. He is a member of The European Network on the Instruments of Devotion.
Jørgen Bakke is Associate Professor of Art History at The University of Bergen. His research interests include Mediterranean landscape archaeology, Ancient Greek and Byzantine garden culture, travel literature, and visualisations of nature in early modern science. He is a member of the board of Nordic Byzantine Network, and co-manager of the archaeological field-project Sites in Marginal Landscapes at Tegea, Greece.
Nora S. Vaage, Nora S. Vaage is assistant professor in philosophy of art and culture at Maastricht University and has a PhD in theory of science from the University of Bergen. Her PhD dissertation, Amplifying Ambiguities: Art on the Fringes of Biotechnology (2016), focused on the ethical and societal aspects of artists’ and other laypersons’ engagement with wet biotechnologies. Her research interests include the role of art in our contemporary societies, artistic research, artistic representations of climate change, philosophy of technology, and ethics. She was first editor, with R. Slaattelid, T. Krigsvoll Haagensen & S. Smith, of the book Images of Knowledge: The Epistemic Lives of Pictures and Visualisations (2016), a project of the research group Images of Knowledge.
Rasmus Slaattelid is Associate Professor in theory of science at the Centre for the Study of the Sciences and the Humanities at the University of Bergen. He has also served as Vice-dean for education at the Faculty of Humanities (2005-2007). His research interests include: the role of scientific models and images in science and beyond, the relationship between evidence and policy making, the philosophy of the humanities, and configurations of interdisciplinarity. Slaattelid is a founding member of the Society for the Study of Nanoscience and Emerging Technologies (S.NET), and co-editor of the Nanoethics special issue "Imag(in)ing the Nanoscale" (August 2011).
Trine Krigsvoll Haagensen, MA Media Studies, is a PhD candidate at the Department of Linguistic, Literary and Aeshtetic studier, University of Bergen. Her thesis project, Kunnskap om bilder av kunnskap (Knowledge about Images of Knowledge), discusses images and the creation of meaning through the Planck All-Sky Image (ESA).
Samantha Smith, MA Art History, is currently a PhD candidate at the University of Bergen. Her project ‘Understandings of Vision, Blindness and Touch in Early Modern Europe’ investigates how the senses where engaged in artistic activity which produced images that aimed at distributing new knowledge within and between the Catholic Church and Natural Science. The project concentrates on the Italian city of Bologna in early modern Europe where influential actors within the Catholic Church and Natural Sciences emphasised the importance of pictures for communication to the masses. She is a member of the research group ´The European Network of the Instruments of Devotion´ (ENID).
John Ødemark is associate professor in cultural history and cultural encounters at the Institute of cultural studies and oriental languages at the University of Oslo. His research fields include early modern cultural history, the history of the human sciences, and the visual culture and semiotics of early modern ethnography and anthropology. Currently he works on a project on translations in the interface between medicine, the humanities and cultural theory.
Tonje Haugland Sørensen is a film- and art historian educated at, and currently attached to, the University of Bergen. Dr. Sørensens field of study is visual history, with a focus on visual representations of history and historiographic research. As part of her work, dr. Sørensen has studied the visualisation of war and battlefields in film and photography, culminating in her doctoral thesis «The Second World War in Norwegian film – the topography of Remembrance». In addition to this, Sørensen has published several articles on the visualisation and reseption of Byzantium and the Middle Ages during the long 19th century in Gemany and Norway. Of special interest are the museum as a conveyer of history, architecture and restauration/re-imagining of buildings, film and monuments, as well as scientific illustrations and maps.
Jens Eike Schnall is Associate Professor of Old Norse Studies at the University of Bergen (since 2013). His research interests include a.o. medieval encyclopedic literature and orders of knowledge; literature, science & technology; mapping and cartography; learned networks and media (Knowledge_of_the_North.pdf); medieval and early modern food cultures (Medieval_and_Early_Modern_Food_Cultures.pdf); and transformations of the heroic (Holy_Heroes-Heroic_Saints.png). Organisation of international conferences and workshops, in Bergen e.g. The 10th Bergen-UK Old Norse Postgraduate Symposium in 2016 (and previous years), Exploring the Middle Ages (500–1600) in 2015 and, together with Jonas Wellendorf (University of California, Berkeley), Knowledge of the North: Traditions, Transformations, and Practices of Medieval Scandinavian Learning (workshops in Bergen and Berkeley, seed grant from the Peder Sather Center for Advanced Study.
John-Wilhelm Flattun, John-Wilhelm Flattun, academic librarian and subject specialist for English, theatre studies, and art history at the library for Humanities. His background lies in Early Modern literature and culture, with special focus on English Renaissance. His research interests include Medieval reception, law and literature, myth and propaganda in King Arthur, and metaphor theory. His current project deals with Medieval reception in Thomas Middleton.
Florian Schreck, MA Medieval Studies, is a PhD candidate at the Department of Linguistic, Literary and Aesthetic Studies, University of Bergen. His thesis Science in Medieval Fiction. The Reception of Factual and Learned Literature in Old Icelandic Romance 1300-1550 examines the interaction between literature and science in Old Norse sagas. His research interests include the history of science, literary theory and the fictional literature of the late Middle Ages.
Synne Ytre Arne, MA Comparative Literature, is a PhD candidate at the Department of Linguistic, Literary and Aesthetic Studies, University of Bergen. Her thesis, with the working title ‘Entrances, Exits and Enchanted Dwellings: The Mise En Scène of Interior Space in À la recherche du temps perdu’, focuses on questions concerning mise en scène, introspection, tableaux and memory in Marcel Proust’s novel, In Search of Lost Time (1913-1927).
Karina Skilbrei, MA in philosophy and BA in art history, works as a visual artist, illustrator and art teacher. She is currently working on a series of paintings titled "Birth of the Sun". Her research interests include theories of vision and colour and the relationship between sensation and the act of thinking. She is currently investigating theories of colour in ancient Greece.
Stephan Kuhn, MA in Art History is a PhD-candidate at the University of Bergen. He is currently working on his thesis about the medieval altar decorations in the 12-14th centuries. His research is centred on the church art collection of the University Museum in Bergen, which is one of the most outstanding collections of medieval church art in Europe. The objects in the collection originate mostly from churches in western Norway but the rarity of some objects is such that they are essential to our understanding of European art history on the whole, in particular on the topic of twelfth- to fourteenth-century altar decorations. The Norwegian material will be embedded in a wider European context. It will be shown that the Norwegian medieval church art forms an integral part of European art. He is a member of the ‘The European Network of the Instruments of Devotion’ (ENID).
Justin Kroesen is Professor of Cultural History at the University Museum of Bergen, specializing in the Material Culture of Christianity. His main research interests are the architecture, furnishings and imagery of medieval and early modern churches in Western Europe. Specific topics include medieval altarpieces in Spain, pre-Reformation survivals in Dutch medieval churches, tabernacles, chancel screens and side altars in Central and Northern Europe, and the treatment of medieval church interiors within Lutheranism. He is coordinator of the European Network on the Instruments of Devotion (ENID).
Zuzana Stankovitsová, Magister in Translation Studies (Comenius University in Bratislava) and MA in Medieval Icelandic Studies (University of Iceland), is a PhD candidate in Old Norse Philology at the Institute of Linguistic, Literary and Aesthetic Studies. Her dissertation examines the manuscript transmission of the 14th-century Icelandic Króka-Refs saga. Many of the saga’s extant manuscripts were copied in learned milieus of the 17th century as humanism rekindled interest in Old Norse literature. Her research interests include Sagas of Icelanders, the paranormal in Old Norse literature, as well as medieval and early modern manuscript culture.