Torgeir Uberg Nærland
Førsteamanuensis, Førsteamanuensis
- E-posttorgeir.narland@uib.no
- Telefon+47 55 58 97 05
- BesøksadresseFosswinckels gate 6Lauritz Meltzers hus5007 Bergen
- PostadressePostboks 78025020 Bergen
Overordnet er jeg interessert i mediene og kulturens rolle i demokrati og samfunnsliv. Jeg er spesielt opptatt av hvilken betydning sosial ulikhet har for folks muligheter til å delta i samfunnet gjennom sin bruk av medier og kultur, og hvordan vi kan utforme en kultur- og mediepolitikk som fremmer bred deltakelse. Med utgangspunkt i kultursosiologiske perspektiv, demokratiteori og ulike sosialteoretiske tilnærminger har jeg forsket på bestemte kulturformer som musikk eller TV-serier, eller mediesjangre som nyheter, men også på spørsmål knyttet til medier og populisme.
De siste årene har jeg fokusert spesielt på spørsmål knyttet til marginalisering, mediebruk og medborgerskap, og leder nå forskningsprosjektet Media Poverty: media use and citizenship in conditions of deprivation (2021-2025) som er finansiert av Norges Forskningsråd. Jeg har bistilling som Forsker 1 ved NORCE.
Sammen med Jan Fredrik Hovden leder jeg Nettverk for kultur, ulikhet og demokrati, ved Institutt for informasjons- og medievitenskap
Jeg er medlem av det regjeringsoppnevnte Musikkutvalget (2023-25) som lager NOU om det norske musikkfeltet, og er tidligere nestleder av Kringkastingsrådet og medlem av Kulturådets forskningsutvalg.
Jeg har deltatt i flere større forskningsprosjekt, som arbeidspakkeleder i INDVIL (NFR, 2016-20), postdoktor i MeCiN (NFR, 2015-19) og som forsker i Responding to welfare state services (NFR, 2012-16), og har også ledet en rekke prosjekter finansiert av Medietilsynet. Jeg er vitenskapelig rådgiver i PREPARE (EU 2023-27) og NORHOP (NFR 2023-27).
Vitenskapelig artikkel
- (2024). News Avoidance and Poverty: Intersectional Marginalization in the Norwegian “Media Welfare State”. Journalism Studies.
- (2023). Toward a Sociologically Enriched Understanding of Anti-Media Populism:The Case of Enough is Enough! International Journal of Communication. 3091-3109.
- (2023). Toward a Sociologically Enriched Understanding of Anti-Media Populism: The Case of Enough is Enough! International Journal of Communication. 3091-3109.
- (2023). Ritual check-in, shocked immersion, regained stability: A sequential typology of news experiences in crisis situations. Media, Culture and Society.
- (2022). Playful recognition: Television comedy and the politics of mediated recognition. Communications.
- (2022). Mediated recognition: Identity, respect, and social justice in a changing media environment. Communications. 505-515.
- (2022). Beyond representation: Public service media, minority audiences and the promotion of capabilities through entertainment. Poetics. 11 sider.
- (2021). Towards a critical understanding of data visualisation in democracy: a deliberative systems approach. Information, Communication & Society. 19 sider.
- (2020). Enabling Cultural Policies? Culture, Capabilities and Citizenship. International Journal of Communication. 4055-4074.
- (2019). From pleasure to politics: Five functions of watching TV-series for public connection. European Journal of Communication. 15 sider.
- (2019). Between ritual and information: Three phases of Norwegian news audiences’ sense-making of the election of Donald Trump. Journalism - Theory, Practice & Criticism. 1-17.
- (2018). Fictional Entertainment and Public Connection: Audiences and the everyday use of TV-series . Television & New Media. 1-19.
- (2017). Altogether now? Symbolic recognition, musical media events and the forging of civic bonds among minority youth in Norway. European Journal of Cultural Studies.
- (2016). Right Wing Populism and Hip Hop Music in Norway. JOMEC Journal.
- (2016). Music, Ideology, and Emerging Political Elites: Musical Taste and Aesthetic Sensibilities among Young Politicians in Norway. Praktiske grunde. Nordisk tidsskrift for kultur- og samfundsvidenskab. 15-36.
- (2016). Editors' Introduction: Expressive Culture and Populist Radical Right Parties in Europe. JOMEC Journal.
- (2016). Colonizing the academy? Organisational mediatisation and public research institutions. Mediekultur.
- (2015). From musical expressivity to public political discourse proper: the case of Karpe Diem in the aftermath of the Utøyamassacre. Popular Communication - The International Journal of Media and Culture. 216-231.
- (2014). Rhythm, rhyme and reason: hip hop expressivity as political discourse. Popular Music.
- (2014). Hip hop and the public sphere: political commitment and communicative practices on the Norwegian hip hop-scene. Javnost - The Public. 37-52.
- (2010). Documentary in a culture of clearance : a study of knowledge of and attitudes toward copyright and fair use among Norwegian documentary makers. Popular Communication - The International Journal of Media and Culture. 46-60.
- (2007). Dansebandfeber! REPLIKK – Tidsskrift for samfunnsvitskap og humaniora.
Rapport
- (2021). Sivilsamfunn og integrering. En kunnskapsoppsummering. 2021:03. 2021:03. .
- (2017). Mediebruk og offentlig tilknytning:. .
Faglig foredrag
- (2019). How data visualisation matter for democracy.
- (2019). From mainstream to subcultures.
- (2017). Fictional entertainment and public connection.
- (2015). Sitatrett og dokumentarfilm: Opphavsretten som rammebetingelse for norsk dokumentarfilmproduksjon.
- (2015). Danseband, kvalitet og ytringskultur.
Populærvitenskapelig foredrag
- (2018). Ha punk noen politisk betydning?
- (2016). Musikk og politikk: Har musikk egentlig noen politisk betydning?
- (2013). Svart Debatt!
- (2012). Musikk og demokrati.
- (2010). Opphavsrett og dokumentarfilmproduksjon: Hvordan kan sitatretten forstås og brukes?
- (2010). Guidelines for how to the "right to quote" in Norwegian documentary film production.
Vitenskapelig foredrag
- (2023). News avoidance and poverty: Intersectional marginalization in the Norwegian “media welfare state”.
- (2023). Media poverty: a conceptual framework for studying public connection in conditions of deprivation .
- (2023). Exploring poverty-incited barriers for mediated public connection: the case of Norway .
- (2023). Exploring poverty-incited barriers for mediated public connection: the case of Norway .
- (2023). Exploring poverty-incited barriers for mediated public connection: the case of Norway.
- (2023). Exploring media use and public (dis)connection in conditions of poverty: a non-news centric approach .
- (2022). Towards a sociologically enriched understanding of anti-media populism.
- (2022). Shifting between shock and stability: Towards a typology of temporality in news use.
- (2022). Playful recognition: Television comedy and the politics of mediated recognition.
- (2022). Media poverty: A conceptual framework .
- (2022). Beyond representation: Public service media, minority audiences and the promotion of capabilities through entertainment.
- (2020). Cultural consumption, cultural journalism and public connection: a lifestyle perspective.
- (2019). The political significance of data visualizations: four perspectives .
- (2019). TV-serier og medborgerskap.
- (2019). Mediebruk, kulturbruk og frakobling .
- (2019). Mediated Recognition, Populism and Identity.
- (2019). Mediated (Mis)Recognition and the Formation of Populist Identities.
- (2019). Manifest, Everyday and Deep Orientation: Public Connection across and beyond Journalistic Media.
- (2019). From pleasure to politics: five functions of TV-series for public connection.
- (2018). TV-series and public connection.
- (2018). Fictional Entertainment and Public Connection: Audiences and the Everyday Use of TV-series.
- (2018). Enabling Cultural Policies? Culture, Capabilities and Citizenship.
- (2018). Enabling Cultural Policies? Culture, Capabilities and Citizenship.
- (2018). Enabling Cultural Policies?
- (2018). Enabling Cultural Policies: Culture and Capabilities.
- (2018). Enabled by Humor? Minority Youth, Humor and Public Service Broadcasting in Norway – the Case of Black Humor.
- (2018). Annoying clowning far away, world chattering shock and regained stability: Three phases of Norwegians Audiences' Sense-Making of the 2016 US Presidential election.
- (2018). Annoying clowning far away, world chattering shock and regained stability: Three phases of Norwegians Audiences' Sense-Making of the 2016 US Presidential election.
- (2017). Audiences, expressive culture and public connection: the case of TV-series.
- (2017). Audiences and TV-series: Four Functions for Public Connection.
- (2016). Victims of the Mainstream Media? Right Wing Populism and Political Debate in Norway.
- (2016). Recognition Through Reception: Hip Hop Music and the Forging of Civic Bonds Among Minority Youth in Norway.
- (2016). Media, Culture and Public Connection: Freedom of Information in the ’Age of Big Data’ – a presentation of the project.
- (2016). Expressive culture and public connection across socio cultural difference.
- (2015). Popular music, symbolic recognition and civic identity among minority youth in Norway.
- (2015). Music, Ideology, and Emerging Political Elites: A Survey of Musical Taste and Aesthetic Sensibilities Among Young Politicians in Norway.
- (2015). Mediating the welfare state: journalistic representations of institutional dysfunction.
- (2015). Mediating the Nordic Welfare Model: Journalistic Representations and Public Attitudes.
- (2015). Colonizing the Academy? Organisational Mediatisation and Public Research Institutions.
- (2014). What was actually heard? Receptive dimensions of music as political rhetoric.
- (2014). Receptive dimensions of music as political rhetoric.
- (2014). Organisational mediatisation and public research institutions.
- (2014). Music and right wing populism.
- (2014). Minority youth,hip hop music and cultural citizenship in Norway.
- (2014). Mediatisation and public research institutions.
- (2014). From musical expressivity to public political discourse proper: the case of Norwegian hip hop in the aftermath of the Utøya massacre.
- (2014). From musical expressivity to public political discourse proper: the case of Norwegian hip hop in the aftermath of the Utøya massacre.
- (2014). Flow som politisk retorikk.
- (2013). Rhythm, Rhyme and Reason: Hip Hop Expressivity as Political Discourse.
- (2013). Rapping against the populist right: Norwegian hip hip and The Progress Party.
- (2013). Rapping against the populist right.
- (2013). Musical interventions in the public sphere: hip hop music as political communication.
- (2013). Hip hop and the public sphere: political commitment and communicative practices on the Norwegian hip hop-scene.
- (2012). Popular music and the political dimension of taste.
- (2012). Music, Politics and ideology.
- (2012). Music and the public sphere.
- (2012). Music and deliberation – the Norwegian hip hop-scene as an arena for the formation of (political) public opinion.
- (2012). Music and deliberation.
- (2012). Den norske hip hop-scenen som arena for (politisk) meningsdannelse.
- (2011). Musical taste and interest in political youth wings in Norway.
- (2011). Facilitating political engagement and orientation: musical taste and interest among young politicians in Norway.
- (2010). Popular music in the cultural public sphere - Norwegian dance band-practice as a resource for democratic processes.
- (2010). Anbefalte retningslinjer for anvendelse av sitatretten i norsk dokumentarfilmproduksjon.
- (2009). Copyright and Fair Use in a Culture of Clearance.
Leserinnlegg
- (2010). Sitatrett og monopol. Dagens næringsliv. 50-50.
Vitenskapelig monografi
- (2019). Informerte borgere? Offentlig tilknytning, mediebruk og demokrati.
Mastergradsoppgave
- (2007). Dansebandfeber! – En analyse av mediale uttrykk for norsk dansebandkultur.
Populærvitenskapelig artikkel
- (2018). Har datavisualiseringer noen politisk betydning? Forskning.no.
Kronikk
- (2019). Can data visualizations matter for politics? From numbers to graphics.
- (2018). Kringkastingsrådet, Clemet og Klagekampanjer . VG : Verdens gang.
- (2018). Kringkastingsrådet trenger fornyelse. Aftenposten (morgenutg. : trykt utg.).
- (2010). NRK og sitatretten. Vox publica. 1 sider.
- (2010). NRK og sitatretten. Dagens næringsliv. 1 sider.
- (2008). Ta ansvar på Wikipedia. Aftenposten (morgenutg. : trykt utg.).
Doktorgradsavhandling
- (2015). Music and the public sphere. Exploring the political significance of Norwegian hip hop music through the lens of public sphere theory.
Intervju
- (2020). Klimaopprøreren Knut går i krigen.
- (2018). Salmer fra skjermen.
- (2018). Lørdag samles tusenvis av skrikende barn på Koengen for å se favorittartistene live.
- (2017). Valgnatt.
- (2017). Så mange dager har du brukt på favoritt-serien din.
- (2017). POPMUSIKK RIMER PÅ POLITIKK.
- (2016). Popartister protesterer mot flyktningpolitikk.
- (2016). Nye stemmer synger ut mot Sylvi Listhaug.
- (2016). Musikk og politikk.
- (2016). Hvordan høres politisk musikk ut i dag?
- (2015). Musikk og valgkamp.
- (2015). Karpe Diem slår tibake mot kritiske politikere.
- (2015). Fortsatt radikale.
- (2014). Du må danse med hjertet.
- (2013). Radio-dokumentar: Mette og Stine.
- (2013). Politisk oppvarming.
- (2013). Partipop.
- (2013). Parti-pop skal tenne politikerne.
- (2013). FPU loves Partymusikk.
- (2012). Splittet syn på Idol-comeback.
- (2012). Sei meg kva musikk du høyrer på, så skal eg seia kvar du står politisk.
- (2012). Derfor er Bruce mest populær.
- (2012). Danseband.
- (2011). The Boss ruler i regjeringen.
- (2011). Stemmene som ikke blir hørt.
- (2011). Musikken i politikken.
- (2010). Tør ikke bruke sitatretten.
- (2010). Norsk dokumentarfilm mot toppen.
- (2010). Demokratisk danseband.
- (2010). - Bruk sitatretten!
- (2009). Dei fordømde dansebanda.
- (2008). Lokka av låg status og stor popularitet.
- (2008). Dansebandet som kom inn fra kulden.
- (2008). - Klareringskulturen hemmer filmen.
- (2007). Et studium i Ole Ivars.
Programdeltagelse
- (2015). Musikksmak og radiolytting.
- (2013). Valg og musikk.
- (2013). Spillerom NRK P2.
- (2013). Partipolitikk og musikk.
- (2010). Sommeråpent - Intervju med tema dansebandkultur.
- (2008). Kulturnytt.
Vitenskapelig Kapittel/Artikkel/Konferanseartikkel
- (2020). The political significance of data visualisations: Four key perspectives. 11 sider.
- (2020). Populism and popular culture: the case for an identity-oriented perspective. 20 sider.
- (2017). Velferdsstatens institusjoner og nyhetsmediene: en komparativ studie av medieinteraksjon i NAV og universitets- og forskningssektoren. 17 sider.
- (2017). Journalistiske virkelighetsbilder av velferdsstaten: fremstillingen av det offentlige omsorgsapparatet i «Jannes historie». 21 sider.
- (2015). Myte i Blomst: Samspillet mellom musikk og bilder i Bruce Conners The White Rose.
- (2015). Flow som politisk retorikk: Lyrisk og rytmisk samspill i Lars Vaulars 'Kem skjøt Siv Jensen'.
- (2012). Musikk og offentlighet. 21 sider.
Intervju tidsskrift
- (2012). Musikkens politiske dimensjon. Et Intervju med Simon Frith. Norsk Medietidsskrift.
- (2009). Psykologisk perfeksjon gjennom eteren. Et intervju med Thomas Johansson. Norsk Medietidsskrift.
Media Poverty: media use and citizenship in conditions of deprivation (funded by the research council of Norway).
https://www.norceresearch.no/en/projects/media-poverty-media-use-and-cit...
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