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  • E-mailAsbjorn.Gronstad@uib.no
  • Phone+47 55 58 31 64+47 922 00 301
  • Visitor Address
    Fosswinckelsgt. 6
    Room 
    616
  • Postal Address
    Postboks 7802
    5020 Bergen
Academic article
  • Gustafsson, Henrik; Vågnes, Øyvind; Grønstad, Asbjørn. 2016. Gestures of Seeing. Objektiv. Tidskrift for kamerabasert kunst. 8-11.
  • Grønstad, Asbjørn. 2013. "Abbas Kiarostami's Shirin and the Aesthetics of Ethical Intimacy". Film Criticism. 22-37.
  • Grønstad, Asbjørn. 2012. Is there a transmedial dispositif? : aesthetic epistemes and the question of disciplinarity. The Nordic Journal of Aesthetics. 32-49.
  • Grønstad, Asbjørn. 2012. Ekphrasis refigured: writing seeing in Siri Hustvedt's What I Loved. Mosaic. 33-48.
  • Grønstad, Asbjørn. 2011. "Is There a Transmedial Dispositif? Aesthetic Epistemes and the Question of Disciplinarity.". The Nordic Journal of Aesthetics. 32-49.
  • Grønstad, Asbjørn. 2009. "Nighthawks at the Diner: Wong Kar-Wai's My Blueberry Nights". American, British and Canadian Studies Journal. 106-112.
  • Grønstad, Asbjørn. 2008. Downcast eyes: Michael Haneke and the cinema of intrusion. Nordicom Review. 133-144.
  • Grønstad, Asbjørn. 2008. 'No One Goes to the Movies Anymore:' Cinema and Visual Studies in the Digital Era. Kinema. A journal for film and audiovisual media. 5-16.
  • Grønstad, Asbjørn. 2008. "Teljekantar og Teljefantar: Om Forsking, Formidling og den Tospråklege Fordringa". Syn og Segn. 62-77.
  • Grønstad, Asbjørn. 2008. "Tact and Tactility: On Jane Campion's In the Cut.". American, British and Canadian Studies Journal. 237-249.
  • Grønstad, Asbjørn. 2008. "Downcast Eyes: Michael Haneke and the Cinema of Intrusion". Nordicom Review. 133-144.
  • Grønstad, Asbjørn. 2007. Disiplin og Purisme: Eit Essay om Transmedial Kultur. Norsk Medietidsskrift. 227-243.
  • Grønstad, Asbjørn. 2007. "Disiplin og Purisme: Eit essay om transmedial kultur". Norsk Medietidsskrift. 227-247.
  • Grønstad, Asbjørn. 2006. Denis Johnson's postmodern Lazarus: Transforming faith in 'Resuscitation of a Hanged Man'. American Studies in Scandinavia. 66-77.
  • Grønstad, Asbjørn; Vågnes, Øyvind. 2006. An Interview with W.J.T. Mitchell. Image [&] Narrative.
  • Grønstad, Asbjørn. 2006. Abject Desire: Anatomie de l'enfer and the unwatchable. Studies in French Cinema. 161-169.
  • Grønstad, Asbjørn. 2005. Wonders of the Invisible World: The Handsome Family and the Topographical Uncanny. Chapter & Verse.
  • Grønstad, Asbjørn. 2005. Tiresijin pogled: Joyce, Rossellini iikonologija mrtvih. Ljetopis: Croatian Film Journal.
  • Grønstad, Asbjørn. 2005. Om Minnet, Historia, Gløymsla: Godards Eloge de l'amour. REPLIKK – Tidsskrift for samfunnsvitskap og humaniora. 34-46.
  • Grønstad, Asbjørn. 2005. Looking In: William Carlos Williams and the Image-Text. Estragon. 9-15.
  • Grønstad, Asbjørn. 2005. Coppola's Exhausted Eschatology: Apocalypse Now Reconsidered. Nordic Journal of English Studies. 121-136.
  • Grønstad, Asbjørn. 2005. "Straw Dogs and the Aesthetics of Violence (II)". American, British and Canadian Studies Journal. 65-79.
  • Grønstad, Asbjørn. 2004. Straw Dogs and the Aesthetics of Violence (1). American, British and Canadian Studies Journal. 201-217.
  • Grønstad, Asbjørn. 2004. Anatomy of a Murder: Bazin, Barthes, Blow-Up. The Film Journal. 10.
  • Grønstad, Asbjørn. 2003. One-Dimensional Men: Fight Club and the Poetics of the Body. Film Criticism. 1-23.
  • Grønstad, Asbjørn. 2003. Mean Streets: Death and Disfiguration in Hawks's Scarface. Nordic Journal of English Studies. 385-409.
  • Grønstad, Asbjørn. 2003. Gathering at the River: Ford, Peckinpah and the Failure of the Communal. American Studies in Scandinavia. 51-67.
  • Grønstad, Asbjørn. 2002. The Gaze of Tiresias: Joyce, Rossellini and the Iconology of the Dead. Nordic Journal of English Studies. 233-248.
  • Grønstad, Asbjørn. 2002. The Appropriational Fallacy: Grand Theories and the Neglect of Film Form. www.Film-Philosophy.com.
  • Grønstad, Asbjørn. 2002. Fortolkningens Hegemoni: Om Filmkritikkens Usynliggjøring av Estetikken. Z filmtidsskrift. 30-37.
  • Grønstad, Asbjørn. 2002. Back to Bazin?: Filmicity in the Age of the Digital Image. Popular Culture Review. 11-23.
  • Grønstad, Asbjørn. 2001. Violence as Form and Rhetoric: Peckinpah's The Wild Bunch. American, British and Canadian Studies Journal. 212-227.
  • Grønstad, Asbjørn. 2001. Topographies of Defeat: Masculinity and Desolation in Fat City and Junior Bonner. Kinema. A journal for film and audiovisual media. 33-48.
  • Grønstad, Asbjørn. 2001. Straitjacketing the Image: Illocutionary Writing and the Obstruction of Cine-Semiosis in Hawks' Scarface. Redoubt. 109-116.
  • Grønstad, Asbjørn. 1999. Tid, Bevegelse og Narrasjon i Film. Bordwells Neoformalisme i Lys av Deleuzes Cinesofi. REPLIKK – Tidsskrift for samfunnsvitskap og humaniora. 105-118.
  • Grønstad, Asbjørn. 1999. "Tid, bevegelse og narrasjon. Bordwells neoformalisme i lys av Deleuzes cinesofi". REPLIKK – Tidsskrift for samfunnsvitskap og humaniora. 105-118.
Academic lecture
  • Grønstad, Asbjørn. 2019. Respondent to "Political Role of New Media in Relation to American Literature and Culture" and to "The Importance of Global Digital Literacy".
  • Grønstad, Asbjørn. 2019. Moderator for keynote by Lisa Parks, on "Tactical Drone Use and Vertical Mediation at Standing Rock".
  • Grønstad, Asbjørn. 2019. Mediation, Ethics, and Opacity.
  • Grønstad, Asbjørn. 2019. Main organizer for the conference Monuments: The 26th Biennial Nordic Association for American Studies Conference.
  • Grønstad, Asbjørn. 2019. Main organizer and chair of the seminar "The Ethics of Surveillance".
  • Grønstad, Asbjørn. 2019. Chair, keynote by Lisa Parks: "Tactical Drone Use and Vertical Mediation at Standing Rock".
  • Grønstad, Asbjørn. 2019. Chair for the panel "Monuments in Popular Culture.".
  • Grønstad, Asbjørn. 2019. Chair for panelet "Mediating Opacity in Visual Culture".
  • Grønstad, Asbjørn. 2019. "Ways of Seeing in the Neoliberal State".
  • Grønstad, Asbjørn. 2018. Ruben Östlund and the Cinema of Vulnerability.
  • Grønstad, Asbjørn. 2018. Memory, Art, and Ethics in the Work of John Akomfrah.
  • Grønstad, Asbjørn. 2018. Cosmopolitanism and the Right to Opacity.
  • Grønstad, Asbjørn. 2018. A Bibliography of Machine Vision.
  • Grønstad, Asbjørn. 2018. 'Everything was Stories:' The Aesthetic Imaginaries of Searching For the Wrong-Eyed Jesus.
  • Grønstad, Asbjørn. 2018. "On Visuality and Ethics".
  • Grønstad, Asbjørn. 2017. Film og den Etiske Imaginasjon.
  • Grønstad, Asbjørn. 2017. Figuring Opacity.
  • Grønstad, Asbjørn. 2017. Angelopoulos, Akomfrah and "The Elsewhere of the Image.".
  • Grønstad, Asbjørn. 2017. "Remediation, Ethics and the Transaesthetic".
  • Grønstad, Asbjørn. 2017. "A New Ethics For Biovisual Screens".
  • Grønstad, Asbjørn. 2016. Toward an Aesthetics of Opacity.
  • Grønstad, Asbjørn. 2016. Ernie Gehr and the Aesthetic Imaginary.
  • Grønstad, Asbjørn. 2016. Cinema's Gestural Connectivities.
  • Grønstad, Asbjørn. 2016. "The Virtues of Opacity in a World Without Shadows".
  • Grønstad, Asbjørn. 2016. "Remediation, Ethics, and the Transaesthetic".
  • Grønstad, Asbjørn. 2015. Organizer & chair for the symposium "Contested Spaces".
  • Grønstad, Asbjørn. 2015. Leviathan and the Ecological Screen.
  • Grønstad, Asbjørn. 2015. John Akomfrah's The Nine Muses and the Ethics of Memory.
  • Grønstad, Asbjørn. 2015. Archival Migrations: The Organic Image in John Akomfrah's The Nine Muses.
  • Grønstad, Asbjørn. 2015. "The Ethics of Transgression".
  • Grønstad, Asbjørn. 2015. "The Aesthetic Imaginary: Eric Baudelaire's Lost Letters to Max".
  • Grønstad, Asbjørn. 2015. "'The Honey of the Invisible:' Experimental Documentary and the Ethics of Memory".
  • Grønstad, Asbjørn. 2014. "Towards an Ethics of Distortion: Post-human Visuality in Leviathan".
  • Grønstad, Asbjørn. 2014. "The Organic Image in Nostalgia For the Light and The Nine Muses".
  • Grønstad, Asbjørn. 2014. "Refigurations of Walden: Notes on Contagious Mediation".
  • Grønstad, Asbjørn. 2014. "Here is a Picture of no Country: The Image Between Fiction and Politics in Eric Baudelaire's Lost Letters to Max".
  • Grønstad, Asbjørn. 2014. "'Every Form is a Face looking at us:' The Ethical Encounter in Kiarostami's Shirin".
  • Grønstad, Asbjørn. 2013. The Nomadikon Lecture Series 8-11. Organizer and respondent.
  • Grønstad, Asbjørn. 2013. "Thinking Disciplinarity in an Age of Transmediality".
  • Grønstad, Asbjørn. 2013. "The Two Disciplines, Cinema Studies and Art History," Round table: Moving Images or Moving Theory? The Role of Film Studies in Creating Social Agenda for Visual Culture.
  • Grønstad, Asbjørn. 2013. "Temporality, Presence, and Slow Cinema".
  • Grønstad, Asbjørn. 2013. "Precarities Material and Conceptual".
  • Grønstad, Asbjørn. 2013. "Images Opaque and Precarious: On Ernie Gehr and the Boundaries of Discernibility".
  • Grønstad, Asbjørn. 2013. "Broken Materialities, or Three Forms of Opacity".
  • Grønstad, Asbjørn. 2012. Moderator for TBLRs forskerskoleseminar "On Jacques Rancière.".
  • Grønstad, Asbjørn. 2012. First opponent for Lise Majgaard Mortensens Ph.D thesis "Towards a Revival of Representation: Ekphrasis in the Contemporary Novel at the End of Postmodernism".
  • Grønstad, Asbjørn. 2012. Deltager og kommentator.
  • Grønstad, Asbjørn. 2012. Arrangør av The 6th Nomadikon Meeting: Ecologies of Seeing or Seeing Whole: Images and Spaces, Images within Images.
  • Grønstad, Asbjørn. 2012. "Taxonomies of Violence.".
  • Grønstad, Asbjørn. 2012. "Notes on the Power of the Precarious Aesthetic".
  • Grønstad, Asbjørn. 2012. "Enfolded By Cinema: The Transvisual Gaze in Tsai Ming-liang's Visage".
  • Grønstad, Asbjørn. 2011. Words of Welcome.
  • Grønstad, Asbjørn. 2011. "Writing Seeing 1: Transaesthetic Resonances".
  • Grønstad, Asbjørn. 2011. "Writing Seeing (1): Transaesthetic Resonances in Still Life with Oysters and Lemon and Point Omega.".
  • Grønstad, Asbjørn. 2011. "Words of Welcome".
  • Grønstad, Asbjørn. 2011. "Entropic Cinema: The Case of Antichrist/Irréversible.".
  • Grønstad, Asbjørn. 2011. "A Cinema of Gestures: Claire Denis's 35 Shots of Rum".
  • Grønstad, Asbjørn. 2011. "'Clear-eyed visions of the Particular:' Transaesthetic Resonances in Mark Doty's Still Life with Oysters and Lemon and Don DeLillo's Point Omega.".
  • Grønstad, Asbjørn. 2010. Presentasjon av Nomadikon for studenter på Visuell Kultur-Verksted, Københavns Universitet.
  • Grønstad, Asbjørn. 2010. Panel discussion on "Creativity and Mediation from Husserl to Whitehead and Back.".
  • Grønstad, Asbjørn. 2010. Medarrangør av "Between the Aesthetical and the Political".
  • Grønstad, Asbjørn. 2010. Deltagelse uten paper.
  • Grønstad, Asbjørn. 2010. Arrangør av konferansen The Third Nomadikon Meeting: New Screen Ecologies.
  • Grønstad, Asbjørn. 2010. "Words of Welcome".
  • Grønstad, Asbjørn. 2010. "Visuell Kultur i Norden.".
  • Grønstad, Asbjørn. 2010. "Toward a Transaesthetic Dispositif: Approaching Disciplinarity Through Deleuze".
  • Grønstad, Asbjørn. 2010. "On the Unwatchable".
  • Grønstad, Asbjørn. 2010. "Om forholdet mellom estetisk teori og estetisk praksis.".
  • Grønstad, Asbjørn. 2010. "Explaining Ourselves to the Image: Ethics and Form in Morris, Folman and Haneke.".
  • Grønstad, Asbjørn. 2010. "Archives of Violence".
  • Grønstad, Asbjørn. 2009. Kommentator, moderator, medarrangør av "Concepts, Meaning, Interpretation, Intention (med Toril Moi)".
  • Grønstad, Asbjørn. 2009. Arrangør av konferansen The Second Nomadikon Meeting: Images of Pain/Painful Images.
  • Grønstad, Asbjørn. 2009. Arrangør av The First Nomadikon Meeting: Pluralizing Visual Culture.
  • Lien, Sigrid; Vågnes, Øyvind; Grønstad, Asbjørn. 2009. Amerikabilder.
  • Grønstad, Asbjørn. 2009. "Words of Welcome".
  • Grønstad, Asbjørn. 2009. "Words of Welcome".
  • Grønstad, Asbjørn. 2009. "Transmedial Epistemes and the Question of Disciplinarity".
  • Grønstad, Asbjørn. 2009. "The Unwatchable, or, the Fork in the Eye".
  • Grønstad, Asbjørn. 2009. "The Ethical Life of Images".
  • Grønstad, Asbjørn. 2009. "The Death of Cinema and the Rise of Visual Culture Studies".
  • Grønstad, Asbjørn. 2009. "Roundtable Discussion: Images of Pain/Painful Images".
  • Grønstad, Asbjørn. 2009. "Pluralizing Visual Culture: Roundtable Discussion.".
  • Grønstad, Asbjørn. 2008. Moderator, kommentator, medarrangør av "Det Estetiske i Litteratur-, kunst- og kulturforskningen".
  • Grønstad, Asbjørn. 2008. "Theorizing Disciplinarity: The Case of Cinema Studies and its Vanishing Objects".
  • Grønstad, Asbjørn. 2008. "Performing Landscape in Recent Art Cinema.".
  • Grønstad, Asbjørn. 2008. "Nighthawks at the Diner: Wong Kar Wai's My Blueberry Nights".
  • Grønstad, Asbjørn. 2008. "Ekphrastic Migrations: Showing Seeing in Siri Hustvedt's What I Loved".
  • Grønstad, Asbjørn. 2008. "Cinema and its Place in the Digital Era: The New Architecture of Image Studies".
  • Grønstad, Asbjørn. 2007. "The Place of Cinema in the Era of Visual Studies".
  • Grønstad, Asbjørn. 2007. "The Decay of Fiction and the Poetics of Pastness".
  • Grønstad, Asbjørn. 2006. Abject Desire:Anatomie de l’enfer and the Unwatchable.
  • Grønstad, Asbjørn. 2005. Wonders of the Invisible World: The Music of the Handsome Family.
  • Grønstad, Asbjørn. 2005. Looking In: William Carlos Williams and the Image-Text.
  • Grønstad, Asbjørn. 2005. Last Year at the Ambassador: Pastness in The Decay of Fiction.
  • Grønstad, Asbjørn. 2004. Narrative's Scar: Violence and Subjectivity in David Fincher's Fight Club.
  • Grønstad, Asbjørn. 2004. Denis Johnson's Postmodern Lazarus: Transforming Faith in Resuscitation of a Hanged Man.
  • Grønstad, Asbjørn. 2004. Anatomy of a Murder: Bazin, Barthes, Blow-Up.
  • Grønstad, Asbjørn. 2004. "Vår Tids Redsel For Alvor:" Nokre Refleksjonar Rundt Roy Anderssons Sanger Fra Andre Etasje.
  • Grønstad, Asbjørn. 2003. Rossellini and the Transtextual.
  • Grønstad, Asbjørn. 2003. Isaac Julien's Looking For Langston and the Limits of the Visible World.
  • Grønstad, Asbjørn. 2003. Coppola's Exhausted Eschatology: Apocalypse Now Reconsidered.
  • Grønstad, Asbjørn. 2002. The Rhetoric of the Historical Fiction Film.
  • Grønstad, Asbjørn. 2002. The Gaze of Tiresias: Joyce, Rossellini and the Iconology of the Dead.
  • Grønstad, Asbjørn. 2002. Love Among the Ruins: Memory and Iconology in Rossellini's Viaggio in Italia.
  • Grønstad, Asbjørn. 2002. Bazin and the Question of Filmicity in the Digital Age.
  • Grønstad, Asbjørn. 2001. The Lying Game?: Historical Fiction and the Re-Invention of the "Past".
  • Grønstad, Asbjørn. 2001. Re-Viewing Bonnie and Clyde: Context, Reception, and Aesthetic Framework.
  • Grønstad, Asbjørn. 2001. Re-Viewing Bonnie and Clyde: Context, Reception and Aesthetic Framework.
  • Grønstad, Asbjørn. 2001. Film Beyond Photography: The Politics of Artificiality.
  • Grønstad, Asbjørn. 2001. Andre Bazin and the Substance of Filmicity.
  • Grønstad, Asbjørn. 2000. The Appropriational Fallacy: Grand Theories and the Neglect of Film Form.
  • Grønstad, Asbjørn. 2000. Peckinpah’s Walden: The Violent Indictment of ”Civilization” in The Wild Bunch.
  • Grønstad, Asbjørn. 2000. "Abject Topographies: Images of Male Desolation in Fat City and Junior Bonner".
  • Grønstad, Asbjørn. 1999. Violence as Form and Rhetoric: On Reading The Wild Bunch as a Narrative of Regeneration.
Book review
  • Grønstad, Asbjørn. 2014. Anmeldelse av D.N. Rodowick: Elegy For Theory. Ekfrase: Nordisk Tidsskrift for Visuell Kultur.
  • Grønstad, Asbjørn. 2013. Zero Dark Thirty og den nye revisjonismen. Ekfrase: Nordisk Tidsskrift for Visuell Kultur. 126-128.
  • Grønstad, Asbjørn; Vågnes, Øyvind. 2012. "Now! Visual Culture: The International Association of Visual Culture Studies, New York City, 31. mai - 2. juni 2012". Ekfrase: Nordisk Tidsskrift for Visuell Kultur. 112-132.
  • Grønstad, Asbjørn; Vågnes, Øyvind. 2010. The 2010 Visual Culture Studies Conference. Ekfrase: Nordisk Tidsskrift for Visuell Kultur. 165-166.
  • Grønstad, Asbjørn. 2009. Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson. American Studies in Scandinavia. 130-134.
  • Grønstad, Asbjørn. 2008. "Filosofen for en komparativ estetikk". Norsk Filosofisk tidsskrift. 260-263.
  • Grønstad, Asbjørn. 2005. Filmmaktens Fysiognomi? Anmeldelse av Christian Refsum & Eivind Røssaak, Kyssing og Slåssing: Fire Kapitler om Film. Norsk Medietidsskrift. 352-357.
Academic anthology/Conference proceedings
  • Grønstad, Asbjørn; Vågnes, Øyvind. 2019. Invisibility in Visual and Material Culture. Palgrave Macmillan.
  • Grønstad, Asbjørn; Vågnes, Øyvind. 2019. Invisibility in Visual and Material Culture. Palgrave Macmillan.
  • Grønstad, Asbjørn; Gustafsson, Henrik; Vågnes, Øyvind. 2017. Gestures of Seeing in Film, Video and Drawing. Routledge.
  • Grønstad, Asbjørn. 2016. Seeing Whole: Toward an Ethics and Ecology of Sight. Cambridge Scholars Publishing.
  • Gustafsson, Henrik; Grønstad, Asbjørn. 2014. Cinema and Agamben: Ethics, Biopolitics and the Moving Image. Bloomsbury Academic.
  • Grønstad, Asbjørn. 2014. Cinema and Agamben: Ethics, Biopolitics and the Moving Image. Bloomsbury Academic.
  • Gustafsson, Henrik; Grønstad, Asbjørn. 2012. Ethics and Images of Pain. Routledge.
  • Grønstad, Asbjørn; Henrik, Gustafsson. 2012. Ethics and Images of Pain. Routledge.
  • Grønstad, Asbjørn; Gustafsson, Henrik. 2012. Ethics and Images of Pain. Routledge.
  • Grønstad, Asbjørn; Vågnes, Øyvind. 2010. Coverscaping : discovering album aesthetics. Museum Tusculanums Forlag.
  • Grønstad, Asbjørn; Johannessen, Lene M. 2005. To Become the Self One Is: A Critical Companion to Drude Krog Janson's A Saloonkeeper's Daughter. Nova Science Publishers, Inc..
Popular scientific article
  • Grønstad, Asbjørn. 2017. Mellom Demokrati og Ytringsfridom: James Buchanan og det radikale Høgre i USA. Vox publica.
  • Grønstad, Asbjørn. 2017. "Anti-demokratane: Mellom Demokrati og ytringsfridom - James Buchanan og det Radikale Høgre i USA". Vox publica.
  • Grønstad, Asbjørn. 2015. "Birth of a Nation" - ein rasistisk klassikar fyller hundre". Vox publica.
  • Grønstad, Asbjørn. 2013. Den Ekstreme Humanismen - Ubehag på Film. Bergen filmklubb/Cinemateket USF. 52-55.
Feature article
  • Grønstad, Asbjørn. 2015. Eit Globalt Perspektiv på Humaniora. På Høyden - nettavis for Universitetet i Bergen.
  • Grønstad, Asbjørn. 2014. "Kunst som forsking, forsking som kunst". Forskerforum. 40-41.
  • Grønstad, Asbjørn. 2009. Sosiopatiens anatomi - Michael Haneke og Das Weisse Band. På Høyden ( UiBs nettavis).
  • Grønstad, Asbjørn. 2009. "Film Heile Dagen Lang.". På Høyden ( UiBs nettavis).
  • Grønstad, Asbjørn. 2008. "Portrett av eit Augeblikk". Klassekampen. 12-13.
  • Grønstad, Asbjørn. 2008. "Eit Forsøk på å oppsummere den evigvarande tellekantdebatten". Prosa - tidsskrift for skribenter. 62-63.
  • Grønstad, Asbjørn. 2007. "Abu Ghraib i den visuelle kulturen". Klassekampen. 8-17.
  • Grønstad, Asbjørn. 2004. Murnau og Soloppgangen. Bergens Tidende. 37-37.
Academic chapter/article/Conference paper
  • Grønstad, Asbjørn. 2016. Transaesthetic Temporalities: Ekphrasis and the Poetics of Deceleration. 14 pages.
  • Grønstad, Asbjørn. 2016. Slow Cinema and the Ethics of Duration. 12 pages.
  • Grønstad, Asbjørn. 2016. Refigurations of Walden: Notes on Contagious Mediation. 16 pages.
  • Grønstad, Asbjørn. 2016. Impaired Images and the Boundaries of Discernibility". 18 pages.
  • Grønstad, Asbjørn. 2015. Here is a Picture of No Country: The Image Between Fiction and Politics in Eric Baudelaire's Lost Letters to Max. 10 pages.
  • Grønstad, Asbjørn. 2015. "'Nothing Ever Ends:' Angelopoulos and the Image of Duration".
  • Grønstad, Asbjørn. 2013. Enfolded by Cinema: The Transvisual Gaze in Tsai Ming-liang's Visage. 12 pages.
  • Grønstad, Asbjørn. 2012. "Writing Seeing: Transaesthetic Resonances in Still Life with Oysters and Lemon and Point Omega". 10 pages.
  • Grønstad, Asbjørn. 2011. On the Unwatchable. 14 pages.
  • Grønstad, Asbjørn. 2010. Dead Time, Empty Spaces: Landscape as Sensibility and Performance. 21 pages.
  • Grønstad, Asbjørn. 2006. Narrative's Scar: Violence and Subjectivity in Fight Club. 19 pages.
  • Grønstad, Asbjørn. 2003. The Lying Game? Historical Films and the Re-Invention of the "Past".
  • Grønstad, Asbjørn. 2003. As I Lay Dying: Violence and Subjectivity in Reservoir Dogs. 21 pages.
  • Grønstad, Asbjørn. 2001. To Fail Better: Production and Rhetoric in Curtiz' and Richardson's Light Brigades. 16 pages.
  • Grønstad, Asbjørn. 2001. Peckinpah's Walden: The Violent Indictment of 'Civilization' in The Wild Bunch. 20 pages.
Academic literature review
  • Grønstad, Asbjørn. 2008. New American Cinema.
  • Grønstad, Asbjørn. 2008. "Jean-Luc Godard".
  • Grønstad, Asbjørn; Vågnes, Øyvind. 2007. Mot ein ny biletvitskap: Intervju med W.J.T. Mitchell. 71-81.
Chapter
  • Grønstad, Asbjørn; Vågnes, Øyvind. 2017. Images and their Incarnations: An Interview with W.J.T. Mitchell. 182-194. In:
    • Purgar, Kresimir. 2017. W.J.T. Mitchell's Image Theory: Living Pictures. Routledge.
  • Grønstad, Asbjørn. 2015. "Farwell to Visual Studies - Comment". 225-227. In:
    • Elkins, James. 2015. Farewell to Visual Studies. Penn State University Press.

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