• E-maildpbiro@uib.no
  • Phone+47 55 58 39 71
  • Visitor Address
    Lars Hillesgt. 3
  • Postal Address
    Postboks 7800
    5020 Bergen
Academic article
  • Show author(s) 2020. “On Learning and Teaching Composition” in Revista Vortex Music Journal, Periódico Eletrônico |Universidade Estadual do Paraná, Escola de Música e Belas Artes do Paraná | BrasilISSN 2317–9937, v. 8, n. 1, 2020 . Revista Vortex. 1-12.
  • Show author(s) 2016. Emanations: Reflections of a Composer. Konzepte. 39-62.
  • Show author(s) 2015. Existenz und Ablenkung. Musik & Ästhetik. 95-99.
  • Show author(s) 2010. Computer-assisted cantillation and chant research using content-aware web visualization tools. Multimedia tools and applications. 207-224.
  • Show author(s) 2009. Crowns. Kunstmusik. 2-8.
  • Show author(s) 2008. Remembering and Forgetting Lizkor VeLiskoach for String Quartet after Schubert. Circuit _ Musiques Contemporaines. 39-60.
  • Show author(s) 2005. Composing Mishpatim – Laws: A Response to Ben’s Mishna Music as a Music. Perspectives of New Music. 232-265.
  • Show author(s) 2021. The Ethica Composition Cycle: Music Creation and Computational Ethnomusicology. .
  • Show author(s) 2021. The Historical as Modern.
  • Show author(s) 2020. “Artistic Research in Music Composition” .
  • Show author(s) 2020. Presentation of the recording of the Mishpatim (Laws) composition cycle published by Neos Music.
  • Show author(s) 2020. Pre-concert discussion “What is your musical DNA?” with Katia Makdissi-Warren and Maxime McKinley, moderated by Quentin Lauvray.
  • Show author(s) 2020. Panel discussion “Gender, Inspiration and the Creative Process”.
  • Show author(s) 2020. "The Historical as Modern".
  • Show author(s) 2020. "Reflections on Composition Today".
  • Show author(s) 2020. "De Natura et Origine: Spiritual Inspiration and Creative Process".
  • Show author(s) 2020. "Challenges for the Arts".
  • Show author(s) 2019. Spinoza’s Ethics: Secular Religion Expressed in Historicized and Contemporary Sound.
  • Show author(s) 2019. Composing Ethica after Baruch Spinoza” .
  • Show author(s) 2018. Deus Sive Natura: Das theologische Weltbild von Spinoza in Musik ausgedrueckt.
  • Show author(s) 2018. Deus Sive Natura, Understanding Spinoza’s Ethics in terms of Jewish History.
  • Show author(s) 2015. On the Historical Development and Practice of the Ta’amei Hamikra.
  • Show author(s) 2015. On Transcription.
  • Show author(s) 2014. Existence and Distraction.
Popular scientific lecture
  • Show author(s) 2020. Panel discussion about the Hungarian Film “Those Who Remained”(2019).
Academic lecture
  • Show author(s) 2020. “The Materials and Methods of Ethics” .
  • Show author(s) 2020. “Sounding Philosophy: Multidisciplinary Education via Artistic Research".
  • Show author(s) 2020. “Movements of History – Transpositions of Spirit” .
  • Show author(s) 2020. “Environments of Philosophical Inquiry: Composing Spinoza’s Ethics” .
  • Show author(s) 2020. "Sounding Philosophy" .
  • Show author(s) 2020. "Composing Ethica: Creative Process and Computational Ethnomusicology".
  • Show author(s) 2018. Komposition als Archäologie.
  • Show author(s) 2018. Composition and Philosophy.
  • Show author(s) 2018. Composing Spinoza’s Ethics: Charting a Migration of Spirit Through Sound.
  • Show author(s) 2018. Composing Spinoza’s Ethics.
  • Show author(s) 2016. Religious Recitation as Oral Culture.
  • Show author(s) 2016. Melodic Stability and Memory Analysis in Semi-Oral Chant Traditions: A Computational Study of Qur’an Recitation and Torah Trope.
  • Show author(s) 2015. Musical Topics in Music of the 20th/21st Centuries.
  • Show author(s) 2015. Music Composition as Research of History and Memory.
  • Show author(s) 2015. Mishpatim (Laws) compositional cycle.
  • Show author(s) 2015. Ehyeh-Asher-Ehyeh: The Future of Historicized, Non-Representational New Music.
  • Show author(s) 2014. Mahler’s Modernities.
  • Show author(s) 2013. Current Compositional and Ethnomusicological Research.
Music – recorded product
  • Show author(s) 2018. Nulla Res Singularis, Broadcast on Deutschlandfunk, Jan. 8, 2018.
Other presentation
  • Show author(s) 2020. The Mishpatim (Laws) composition Cycle (2003-2016) .
  • Show author(s) 2019. Ethica: Presentation at Norwegian Youth Chamber Music Festival.
  • Show author(s) 2019. De Natura et Origine.
  • Show author(s) 2018. Portait Concert of the Works of Dániel Péter Biró.
Book review
  • Show author(s) 2007. African Rhythms by Pierre-Laurent Aimard, György Ligeti, Steve Reich, Simha Arom. Ethnomusicology. 162-165.
Academic anthology/Conference proceedings
  • Show author(s) 2014. The String Quartets of Béla Bartók: Tradition and Legacy in Analytical Perspective. Oxford University Press.
Academic monograph
  • Show author(s) 2018. Live-Electronics in the SWR EXPERIMENTALSTUDIO.
  • Show author(s) 2016. Perspectives for Contemporary Music in the 21st Century.
  • Show author(s) 2014. A Computational Re–Examination Of Bela Bartok’s Transcription Methods as Exemplified by his Sirato Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur’an Recitation." • Holzapfel, A. (ed.). Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Istanbul : Bogazaci University, 2014, pp. 70-77. .
  • Show author(s) 2012. Stability and Variation in Cadence Formulas in Oral and Semi-Oral Chant Traditions – a Computational Approach.”.
Sound material
  • Show author(s) 2019. Mishpatim (Laws).
Doctoral dissertation
  • Show author(s) 2004. Reading the Song: On the Development of Musical Syntax, Notation and Compositional Autonomy: A Comparative Study of Hungarian Siratók, Hebrew Bible Cantillation and Plainchant from St. Gallen.
  • Show author(s) 2018. Canadian Excellence, Global Recognition: Canada’s 2017 Winners of Major International Research Awards, .
  • Show author(s) 2017. Festival Diktaturen: Dániel Péter Biró discussed his composition Nulla Res Singularis, based on text from Baruch Spinoza’s Ethics.
  • Show author(s) 2018. Die Amerikatournee: Der Komponist Dániel Péter Biró, Film about work with Klangforum Heidelberg .
Programme participation
  • Show author(s) 2020. Musik der Gegenwart: Program on Radio Berlin Brandenburg about composition De Natura et Origine.
  • Show author(s) 2017. Verfolgt, vertrieben, verboten. Wenn Komponisten ins Kreuzfeuer politischer Ideologien geraten .
Academic chapter/article/Conference paper
  • Show author(s) 2019. Studies in Contrast: Notes from the Field. 10 pages.
  • Show author(s) 2016. Ehiye asher Eyihe: the Future of Historicized, Nonrepresentational New Music . 26 pages.
  • Show author(s) 2014. The Sound of the Voice is the Name of the Place: On Compositional Allegory in Al Ken Kara (That Is Why It Was Called). 16 pages.
  • Show author(s) 2014. Bartók's Quartets, Folk Music, and the Anxiety of Influence.
  • Show author(s) 2012. Reading the Song and Remembering the Word: Musical Material and ‘Historicized Composition’ in Ko Amar (Thus Said). 18 pages.
  • Show author(s) 2011. A Computational Investigation of Melodic Contour Stability in Jewish Torah Trope Performance Traditions. 6 pages.
  • Show author(s) 2008. Variations on Variations. 15 pages.
  • Show author(s) 2008. Musik und die Einwanderung der Sprache. 23 pages.
Musical performance
  • Show author(s) 2020. Udvarim Achadim (et les même Mots) (Version 2020) for saxophone quartet and electronics.
  • Show author(s) 2019. Simanim (Signs/Traces): concert at Timespans Festival in August, 2019.
  • Show author(s) 2019. Kilkul (Breakdown): performance at Chapelle historique du Bon-Pasteur in Montréal, QC, Canada.
  • Show author(s) 2019. Ethica: Performance with Bit20 at Grieghallen.
  • Show author(s) 2018. Scholium II, Festakt Concert at the Annual Meeting of the Swiss Philosophy Association, Basel, Switzerland.
  • Show author(s) 2018. Scholium II, Concert at the Völkerkundemusem (Museum for Ethnography) in Heidelberg, Germany .
  • Show author(s) 2018. Scholium II, Concert at the Nikolausberger Musiktage in Göttingen, Germany.
  • Show author(s) 2018. Portrait concert of works by Dániel Péter Biró, Americas Society, New York, USA.
  • Show author(s) 2018. Lizkor Velishkoach (To Remember and to Forget), concert performed by the Lafayette String Quartet .
  • Show author(s) 2018. Gvul (Border) Version II, Concert at Ariowitsch-Haus, Zentrum Jüdischer Kultur.
  • Show author(s) 2018. Concert at Musikalischen Kultursalons at the Zentrum für Gegenwartsmusik at the Leipziger Hochschule für Musik und Theater “Felix Mendelssohn Bartholdy”.
  • Show author(s) 2018. Concert at Congregation Emanuel, Victoria, BC.
  • Show author(s) 2017. Shevarim (Breakings) for piano solo, performed at Bargemusic, New York (2017).
  • Show author(s) 2017. Nulla res singulares.
  • Show author(s) 2017. Mishpatim (Laws) Part 1, performed at E-werk, Freiburg, Germany (2017).
  • Show author(s) 2017. Mishpatim (Laws) Part 1 Concert at ISCM World Music Days in Vancouver.
  • Show author(s) 2017. Mishpatim (Laws) Part 1.
  • Show author(s) 2017. Gvul (Border) performed at at the Site-Mémorial du Camp de Milles in Aix-en-Provence, France.
  • Show author(s) 2017. Fragmina ex axiomata .
  • Show author(s) 2017. Al Ken Kara (That Is Why It Was Called), performed at the Átlátszó Hang Festival in Budapest, Hungary (2017).
  • Show author(s) 2016. Mitoch He’anan (From the Midst of the Cloud) Version II, performed atLa Chapelle historique du Bon-Pasteur in Montreal, Canada (2016).
  • Show author(s) 2016. Kivrot HaTa’avah (Graves of Craving) Version II, performed at the International Symposium of New Music in Curitiba, Paraná, Brazil (2016).
  • Show author(s) 2016. Kivrot HaTa’avah (Graves of Craving) Version II, performed at the Institut für Elektronische Musik und Akustik at the University of Music and Performing Arts in Graz, Austria (2016).
  • Show author(s) 2016. Kivrot HaTa’avah (Graves of Craving) Version II, performed at the Festival Átlátszó Hang in Budapest, Hungary (2016).
  • Show author(s) 2016. Bemitzraim (In Egypt), performed at Syker Vorwerk in Syke, Germany (2016).
  • Show author(s) 2016. Al Ken Kara (That Is Why It Was Called), premiered at the Osterfestival Imago Dei in Krems, Austria (2016).
  • Show author(s) 2015. Vayiru Et (And They Saw) – In Memoriam Matan Givol, performed at the Festival Montréal/Nouvelles Musiques and Matrix 15 on Tour (2015).
  • Show author(s) 2015. Sefirot (Emanations), premiered at the University of Heidelberg (2015).
  • Show author(s) 2015. Sefirot (Emanations), performed at the Wilhelm-Hack-Museum in Ludwigshafen (2015).
  • Show author(s) 2015. Sefirot (Emanations), performed at the Technoseum in Mannheim, Germany (2015) .
  • Show author(s) 2015. Salvim (Quails), premiered at the festival VIRTUOSI XVIII in Recife, Brazil. (2015).
  • Show author(s) 2015. Mitoch He’anan (From the Midst of the Cloud), premiered at New Music Edmonton in Edmonton, Canada (2015).
  • Show author(s) 2015. Memory (Installation).
  • Show author(s) 2015. Kivrot Hata’avah (Graves of Craving) performed at the Gala of the Royal Society of Canada Annual General Meeting (2015).
  • Show author(s) 2015. Kivrot HaTa’avah (Graves of Craving) for solo bass flute, performed at the SALT New Music Festival and Symposium (2015).
  • Show author(s) 2014. Kilkul (Breakdown) for solo saxophon, performed at the SIMN 2014 / Matrix14 on Tour in Curitiba, Brazil (2014).
  • Show author(s) 2014. Bemitzraim (In Egypt), performed at the Foro Internacionel de Música Nueva Maunuel Enríquez in Mexico City (2014).
  • Show author(s) 2014. Bemitzraim (In Egypt), performed at the Berger Park Cultural Center in Chicago, USA (2014).
  • Show author(s) 2014. Al Ken Kara (That Is Why It Was Called), premiered as part of the Mediterranean Voices Project at the Eclat Festival (2014).
  • Show author(s) 2014. Al Ken Kara (That Is Why It Was Called), performed at the Teatro de la Zarzuela in Madrid (2014).
  • Show author(s) 2014. Al Ken Kara (That Is Why It Was Called) for seven voices.
  • Show author(s) 2014. Al Al Ken Kara (That Is Why It Was Called) Version II, premiered at the Teatro Fondamenta Nuove in Venice (2014).
  • Show author(s) 2013. Vaya’al Moshe (And Moshe Ascended), performed at the Center for Contemporary and Electronic Music in Tel Aviv (2013).
  • Show author(s) 2013. Vaya’al Moshe (And Moshe Ascended) revised version, performed at the Theaterhaus Stuttgart (2013).
  • Show author(s) 2013. Livnat Hasapir (Sapphire Brickwork), performed at the University of Victoria, School of Music (2013).
  • Show author(s) 2013. Kivrot HaTa’avah (Graves of Craving), premiered at the 2013 World New Music Days in Vienna (2013).
Music - composition
  • Show author(s) 2020. Colinda.
  • Show author(s) 2020. Asher Hotseti Etkhem ("Who Brought You Out of the Land").
  • Show author(s) 2019. Ethica (2017-2019).
  • Show author(s) 2018. Scholium 2.
  • Show author(s) 2018. Nulla Res Singularis.
  • Show author(s) 2018. Gvul (Border).
  • Show author(s) 2018. Ex Natura et Origine.
  • Show author(s) 2017. Shvarim (Breakings).
  • Show author(s) 2017. Mishpatim (Laws) Part 1: Lo Tisa (Do Not Accept).
  • Show author(s) 2017. Fragmina ex axiomata.
  • Show author(s) 2015. Sefirot (Emanationen).
  • Show author(s) 2012. Salvim (Quails).
  • Show author(s) 2012. Bahar (Auf dem Berg).
  • Show author(s) 2011. Kivrot Hata'avah (Gräber der Begierde).
  • Show author(s) 2011. Hadavar (Das Wort) (Version 2).
  • Show author(s) 2010. Gam Zera (Also the Seed).
  • Show author(s) 2009. Kilkul (Breakdown).
  • Show author(s) 2005. Bemizrajim (In Ägypten).
  • Show author(s) 2002. Messages (Botschaften).
  • Show author(s) 2000. Lizkor veLishkoah (To Remember and to Fortget).
  • Show author(s) 2019. Composing Gvul. 255-266. In:
    • Show author(s) 2019. Narratives of Memory: Migration and Xenophobia in the European Union and Canada. University of Victoria Libaries.
Interview Journal
  • Show author(s) 2010. Enquête sur l'avenir de la musique contemporaine. Circuit _ Musiques Contemporaines. 101-104.

More information in national current research information system (CRIStin)

Scholium Secundum, for Five Singers and Five String Instuments, Edition Gravis, 2018.

Live-Electronics in the SWR EXPERIMENTALSTUDIO, co-edited by Dániel Péter Biró, Jonathan Goldman, Detlef Heusinger and Constanze Stratz. Wolke Verlag, 2018 (Forthcoming).

Fields of competence