Maud Eurydice Ceuterick's picture

Maud Eurydice Ceuterick

Postdoctoral fellow, Marie Skłodowska-Curie Research Fellow
  • E-mailMaud.Ceuterick@uib.no
  • Visitor Address
    HF-bygget, Sydnesplassen 7
  • Postal Address
    Postboks 7805
    5020 Bergen

Maud Ceuterick is a Marie Skłodowska-Curie fellow in Digital Culture (2018-2020). Her research deals with the relations between gender, space and power on screen. Her PhD in film and media studies (University of Otago, New Zealand, 2016) considered filmic aesthetics and women's occupation of space in contemporary cinema. She has published on the road movie genre, masculinity and domesticity in transnational cinema, and women and everyday spaces on screen, among other topics.

Journal articles
  • Azarmandi, Mahdis; Laforteza, Elaine; Ceuterick, Maud Eurydice. 2016. Guest Editors' Introduction: Geocorpographies of Commemoration, Repression and Resistance. Somatechnics. 6: 1-8. doi: 10.3366
  • Ceuterick, Maud Eurydice. 2016. Porous rural spaces in Possum. Short Film Studies. 6: 53-56. doi: 10.1386/sfs.6.1.53_1
  • Ceuterick, Maud Eurydice. 2015. ‘Review: Neil Archer’s The French road movie: Space, mobility, identity (2012) and Michael Gott and Thibaut Schist’s Open road, closed borders: The contemporary French-language road movie (2013)’. Film-Philosophy. 19: 86-90.
  • Ceuterick, Maud Eurydice. 2014. ‘Review essay of Welcome, Le Havre and Un cuento chino: Visceral cosmopolitanism and the domestic sphere’. Transnational cinemas. 5: 78-85. doi: 10.1080/20403526.2014.895225
  • Ceuterick, Maud Eurydice. 2011. Siete meses de desgobierno en Bélgica. Diagonal Periódico. 7. Published 2011-02-03.

More information in national current research information system (CRIStin)

2018-2020, Marie Skłodowska-Curie Actions (Individual Fellowships Call: H2020-MSCA-IF-2017): "AFFIRMATIVE: Affirmative Post-Cinema: Narrative and Aesthetic Responses to Gender and Power"

The goal of AFFIRMATIVE is to determine how post-cinematic arts counteract and aim to change current gender norms through affirmative narratives and aesthetics. By analysing post-cinematic critical engagements with issues of gender and power, I will examine how post-cinema reframes gender norms in an affirmative manner. Rather than being 'natural' or neutral, gender is a social construct inflected with layers of meaning, affect and power. Gender manifests as norms that are 'performed' and reiterated (mostly unconsciously and on a daily basis) through the ways we dress, interact and behave in different spaces and social environments. As attempts to shift the power imbalance between genders, feminist films, television series and social campaigns have often opposed the binary associations between gender and space (men/women, public/domestic). While feminist narratives are often created through negation and opposition, this project takes affirmative narratives and aesthetics as starting point.