Nahum  Welang's picture

Nahum Welang

Guest Researcher
  • E-mailnahum.welang@uib.no
  • Phone+47 55 58 22 42
  • Visitor Address
    Sydnesplassen 7
    5007 Bergen
  • Postal Address
    Postboks 7805
    5020 Bergen
Academic article
  • Show author(s) (2022). Borders and Betrayal in Zora Neale Hurston’s Barracoon: Rethinking Truths and Facts in the American Slave Narrative. Canadian Review of American Studies.
  • Show author(s) (2021). The Death and Resurrection of Oshun in Beyoncé's Lemonade: Subverting the Institutionalized Borders of Western Christian Thought in American Popular Culture. Journal of Popular Culture.
  • Show author(s) (2018). Triple consciousness: The reimagination of black female identities in contemporary American culture. Open Cultural Studies. 296-306.
  • Show author(s) (2017). A Neo-Noir Morality Play by Bridget Gregory. 씨네포럼 CINEFORUM. 205-222.
Academic lecture
  • Show author(s) (2023). "Regional Futures" (Panel Presentation).
  • Show author(s) (2021). Scientific Facts and Literary Truths: Examining the Role of Literature in Pandemic Narratology.
  • Show author(s) (2019). The Racial Barriers of Transcendental Transnationalism in the Works of Wright, McKay, and Hughes.
Academic monograph
  • Show author(s) (2022). The Affirmative Discomforts of Black Female Authorship: Rethinking Triple Consciousness in Contemporary American Culture.
Academic chapter/article/Conference paper
  • Show author(s) (2022). Cultural appropriation or cultural appreciation? Unpacking the microdystopias of Beyoncé's Black is King. 19 pages.
  • Show author(s) (2021). Harlem to World and World to Harlem: Revisiting the Transnational Negotiations of Harlem Renaissance Narratives. 189-201. In:
    • Show author(s) (2021). Aesthetic apprehensions : Silences and absences in false familiarities. Lexington Books.

More information in national current research information system (CRIStin)