Per Olav Folgerø's picture

Per Olav Folgerø

Associate Professor, History of art
  • E-mailPer.Folgero@uib.no
  • Phone+47 55 58 32 44+47 954 71 808
  • Visitor Address
    HF-bygget, Sydnesplassen 7
  • Postal Address
    Postboks 7805
    5020 Bergen
Academic article
  • Show author(s) 2021. The Superior Visual Perception Hypothesis: Neuroaesthetics of Cave Art. Behavioral Sciences. 17 pages.
  • Show author(s) 2016. Effects of facial symmetry and gaze direction on perception of social attributes: A study in experimental art history. Frontiers in Human Neuroscience.
  • Show author(s) 2016. Alterskapet fra Andenes. En liturgisk lesning av skapets ikonografi med hovedvekt på Nådefader-gruppen i skapets Corpus. ICO - Iconographisk Post. Nordisk tidskrift för bildtolkning. 35-49.
  • Show author(s) 2010. The lowest lost Zone in the Adoration of the Crucified Scene in S. Maria Antiqua in Rome: A New Conjecture(?). Journal of the Warburg and Courtauld Institutes. 207-220.
  • Show author(s) 2009. THE LOWEST, LOST ZONE IN THE ADORATION OF THE CRUCIFIED SCENE IN S. MARIA ANTIQUA IN ROME: A NEW CONJECTURE. Journal of the Warburg and Courtauld Institutes. 207-219.
  • Show author(s) 2009. En billedrebus i stort format korsfestelsesfresken i S. Maria Antiqua i Roma, 705-707 e.Kr. Norsk Teologisk Tidsskrift. 256-286.
  • Show author(s) 2008. The Sistine Mosaics of S. Maria Maggiore in Rome: Christology and Maryology in the Interlude between the Councils of Ephesus and Chalcedon. Acta ad archaeologiam et artium historiam pertinentia. 33-64.
  • Show author(s) 2007. The Vision in Daniel 7, 9-13 and the Ascension of Christ: On the Analepsis Scene and the Development of the Cupola-Pantocrator System. Arte Medievale. 21-28.
  • Show author(s) 2007. The Analepsis and the Conception of the Logos. Some remarks on the Depiction of the Ascension/the Vision of Daniel (Dan 7, 9-13) on the Triumphal Arch of S. Stefano di Soleto (Lecce, S. Italy. Bollettino della Badia greca di Grottaferrata.
  • Show author(s) 2004. Traces of Palestinian Liturgy in the Old Testament Catena on the Apsidal Arch of S. Maria Antiqua in Rome. Bollettino della Badia greca di Grottaferrata. 63-77.
  • Show author(s) 2003. The Iconography of S. Maria a Grottaferrata. A Reading of the Pictorial Cycles in the Light of the Byzantine Liturgy and Mariology. Bollettino della Badia greca di Grottaferrata. 257-261.
  • Show author(s) 2001. Den annen skjønnhet. Noen estetiske betraktninger omkring musikk og bilder med utgangspunkt i Fartein Valens musikk. Norsk Kirkemusikk.
  • Show author(s) 1998. Den stridande og den sigrande kyrkja. Kalkmåleria i koret av Nes kyrkje i Sauherad lest i lys av den europeiske ikonografien i høgmellomalderen. Kunst og kultur. 130-145.
  • Show author(s) 2016. Transgender Priming in Medieval Europe.
Doctoral dissertation
  • Show author(s) 2007. Expression of Dogma. Studies on the Iconography of Four Churches in and near Rome.
Academic chapter/article/Conference paper
  • Show author(s) 2020. Prototypes and Recognition of Self in Depictions of Christ. 6 pages.
  • Show author(s) 2012. The Text-Catena in the Frescoes in the Sanctuary of S. Maria Antiqua in Rome (705-707 A.D.): An index of Cultural Cross-Over in the 7th-8th century Rome. 21 pages.
  • Show author(s) 2019. Prototypes and recognition of self.
  • Show author(s) 2018. Can affordable equipment produce good results?

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