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Stuart John Sillars

Emeritus
  • E-mailstuart.sillars@uib.no
  • Visitor Address
    Sydnesplassen 7
    HF-bygget
    5007 Bergen
  • Postal Address
    Postboks 7805
    5020 Bergen
Academic article
  • Show author(s) (2016). Remembering Shakespeare. The Use of English. 47-53.
  • Show author(s) (2015). 'Shakespeare in Colour: Illustrated Editions, 1908-14'. Yearbook of English Studies. 216-238.
  • Show author(s) (2015). 'Afterword: Page and Stage, Pasts and Presents'. Early Modern Culture Online (EMCO). 71-76.
  • Show author(s) (2015). '"Louder, the Music there!": Meaning, Rhythm and Effect in Shakespeare's Language'. Archiv für das Studium der neueren Sprachen und Literaturen. 43-54.
  • Show author(s) (2013). Vorticist Shakespeare: Wyndham Lewis's "Timon of Athens" Portfolio. Around the Globe. 36-36.
  • Show author(s) (2013). Strange Nativity: Hogarth's 'Scene from "The tempest"'. Around the Globe. 31-31.
  • Show author(s) (2013). Desolation and Distress: William Dyce's 'Henry VI at Towton'. Around the Globe. 36-36.
  • Show author(s) (2013). Defining spaces in eighteenth-century Shakespeare illustration. Shakespeare Quarterly. 149-167.
  • Show author(s) (2013). Defining Spaces in Eighteenth-Century Shakespeare Illustration. Shakespeare.
  • Show author(s) (2012). En Midsommernatts Drøm, Bergen Festival 5 June 2012. Cahiers Élisabéthains: A Journal of English Renaissance Studies. 51-53.
  • Show author(s) (2012). A Midsummer Night's Dream in Illustrated Editions, 1838-1918. Shakespeare Survey. 92-109.
  • Show author(s) (2011). Prince of Suspense. Around the Globe. 32-33.
  • Show author(s) (2010). Macbeth's Nightmare. Around the Globe. 22-23.
  • Show author(s) (2010). Framing the Frame: Shakespeare and the Cadre. Early Modern Culture Online (EMCO). 1-11.
  • Show author(s) (2010). Drawing the Void. Around the Globe. 30-31.
  • Show author(s) (2010). Disquiet in the Bierkeller. Around the Globe. 34-35.
  • Show author(s) (2009). Reading Illustrated Editions: Methodology and the Limits of Interpretation. Shakespeare Survey. 162-181.
  • Show author(s) (2009). Costume, Rank and Race: Othello's Visual Identity in the Eighteenth Century. American, British and Canadian Studies Journal. 86-105.
  • Show author(s) (2008). Sightlines: Don't mention the E Word. American, British and Canadian Studies Journal. 264-267.
  • Show author(s) (2008). British Romanticism. The Literary Encyclopedia.
  • Show author(s) (2008). British First World War Poetry. The Literary Encyclopedia.
  • Show author(s) (2007). Image, Genre, Interpretation: the visual identities of The Comedy of Errors. Interfaces (Paris). 11-34.
  • Show author(s) (2007). 'Howsoever, strange and admirable:' A Midsummer Night's dream as via stultitiae. Archiv für das Studium der neueren Sprachen und Literaturen. 27-39.
  • Show author(s) (2005). Seeing, Studying, Performing: 'Bell's Edition of Shakespeare' and Performative reading. Performance Research: A Journal of the Performing Arts. 18-27.
  • Show author(s) (2004). The notebooks: Interviews and new fiction from contemporary writers. Canadian Literature. 101-103.
  • Show author(s) (2004). Home. Canadian Literature. 159-161.
  • Show author(s) (2004). Entering the landscape. Canadian Literature. 101-103.
  • Show author(s) (2004). Drying the Bones. Canadian Literature. 159-161.
  • Show author(s) (2004). Drought' and other stories. Canadian Literature. 159-161.
  • Show author(s) (2004). Addicted: Notes from the belly of the beast. Canadian Literature. 101-103.
  • Show author(s) (2003). Questioning Englishness: Mark Wallinger and the Art of Instability. MANGLER.
  • Show author(s) (2002). '_Things to Come_ and "Newsreel": Versions of Cinematic Influence'. Notes and Queries. 191-193.
  • Show author(s) (2002). 'Translation as Process Record: the Scientific Paper as Temporary Verbal Link'. TRANS 13.
  • Show author(s) (2001). The Praxis of Transdisciplinarity. MANGLER.
  • Show author(s) (2001). Morton D.Paley: Portraits of Coleridge. MANGLER.
  • Show author(s) (2001). Globalisation and the Loss of the text. MANGLER.
  • Show author(s) (1999). Poetry 1900-1950 (Chapter XIV: 2a). Year's Work in English Studies. 653-659.
Academic lecture
  • Show author(s) (2019). Shakespeare and the uses of the image.
  • Show author(s) (2018). Transformation and Variation in Shakespeare's Tragedic canon: the Roman Plays.
  • Show author(s) (2017). What do we mean by 'King Lear'?
  • Show author(s) (2017). Shakespeare's Creative confusions.
  • Show author(s) (2016). Shakespeare, Illustration and Interpretation.
  • Show author(s) (2015). Closing remarks.
  • Show author(s) (2015). Christianity, staging and ambivalence in Shakespeare's tragedies.
  • Show author(s) (2015). Casting the Canon: Questions and definitions.
  • Show author(s) (2014). Shakespeare Imaged: The Shrew, The Tempest and the Workings of Comedy.
  • Show author(s) (2014). Reading the Illustrated Shakespeare, 1709-1875.
  • Show author(s) (2014). Macbeth and Tragedy: Imaging the Downfall.
  • Show author(s) (2014). Closing remarks and commentary.
  • Show author(s) (2014). 'The excellence of this Dance consisted in its intricacy'.
  • Show author(s) (2013). Time and Trajectory: the visual image as defining force.
  • Show author(s) (2013). The Tempest: A Visual History.
  • Show author(s) (2013). The Movement of Tragedy: Visualising Macbeth and Hamlet.
  • Show author(s) (2013). The Moment of Tragedy: visualising Macbeth.
  • Show author(s) (2013). Performance and Image: the Terry-Irving Macbeth, 1888.
  • Show author(s) (2013). Narrative, allegory, likeness: painting and drama.
  • Show author(s) (2013). Language, Performance, Adaptation: Some Central Issues.
  • Show author(s) (2013). Imaging Othello: Visual Directions.
  • Show author(s) (2013). Illustration and reading in Macbeth.
  • Show author(s) (2013). Dimensions of Time in Victorian Shakespeare Images.
  • Show author(s) (2013). A Midsummer Night's Dream - A Visual History.
  • Show author(s) (2013). 'Love's Labour's Lost' and Visual Composition.
  • Show author(s) (2012). Shakespeare's Visual fractures: the Perspective and the Mirror.
  • Show author(s) (2012). Shakespeare and Visual Structures: Reading the Shrew Induction.
  • Show author(s) (2012). Shakespeare and European Romantic Imaging.
  • Show author(s) (2012). Shakespeare and Aesthetic Identity.
  • Show author(s) (2012). Eugene delacroix and Shakespearean Transculturation.
  • Show author(s) (2012). 'Best painter's art': the Sonnets and Visual Imagination.
  • Show author(s) (2012). 'Are ye fantastical?': a Visual History of Macbeth.
  • Show author(s) (2011). Shakespeare, Paragone and Dramatic Composition.
  • Show author(s) (2011). Shakespeare and Fable; reorganising time in silent films of The Tempest and A Midsummer Night's Dream.
  • Show author(s) (2011). Shakespeare Painting and Aesthetic Identity.
  • Show author(s) (2011). Shakespeare , Painting and Aesthetics.
  • Show author(s) (2011). Richard II and the Politics of Perspective.
  • Show author(s) (2011). Richard II and Visual Composition.
  • Show author(s) (2011). German Paintings and Illustrations of Shakespeare.
  • Show author(s) (2011). Beyond Life and Death: States of Ecstasy in Shakespeare Images.
  • Show author(s) (2010). henry Fuseli, 1741-1825: the Artist as Interpreter.
  • Show author(s) (2010). Shakespeare, Time and the Victorian Visual Sense.
  • Show author(s) (2010). Shakespeare and the Ambiguities of Knowledge.
  • Show author(s) (2010). Reading Illustrated Shakespeare.
  • Show author(s) (2010). Photography and Victorian Shakespeare.
  • Show author(s) (2010). Ordering Time in Victorian Shakespeare Images.
  • Show author(s) (2010). Opening and closing remarks.
  • Show author(s) (2010). James Barry's Shakespeare Paintings.
  • Show author(s) (2010). Images and the last plays.
  • Show author(s) (2010). Illustrated Shakespeare and the limits of interpretations.
  • Show author(s) (2010). Emblem and Image in Richard II.
  • Show author(s) (2010). 'Imaging "Othello": the Play in Painting and Illustration'.
  • Show author(s) (2009). Why The Pictures Matter: Writing /The Illustrated Shakespeare/.
  • Show author(s) (2009). Two lectures and a seminar on Shakespeare and the visual arts.
  • Show author(s) (2009). Time and the Visual Sense in Victorian Staging.
  • Show author(s) (2009). Style, Rhetoric and Identity in Shakespearean Soliloquy.
  • Show author(s) (2009). Shakespeare, Illustration and Criticism.
  • Show author(s) (2009). Shakespeare through the Looking Glass: the Portraits, Again...
  • Show author(s) (2009). Shakespeare in the Illustrated text: Richard III, Henry V and Romeo and Juliet.
  • Show author(s) (2009). Shakespeare Illustration as Critical Interpretation.
  • Show author(s) (2009). Shakespeare Atomised: Late Victorian Visual readings.
  • Show author(s) (2009). Reading Shakespeare in the Illustrated Edition.
  • Show author(s) (2009). Generative Imprecision: Painting, Circumstance and Fiction.
  • Show author(s) (2009). Framing and reframing Shakespeare: Introductory thoughts.
  • Show author(s) (2009). 'You lie, you are not he': Identity, Rhetoric and Convention in Shakespeare's Art of Lying.
  • Show author(s) (2008). The Illustrated Shakespeare and Critical Reading.
  • Show author(s) (2008). The Illustrated Shakespeare.
  • Show author(s) (2008). Shakespeare, Time and Painting.
  • Show author(s) (2008). Shakespeare and the Uses of Parody.
  • Show author(s) (2008). Shakespeare and the Illustrator.
  • Show author(s) (2008). Shakespeare and Painting: the plays and visual criticism.
  • Show author(s) (2008). Reading the Illustrated Text: Towards a Methodology.
  • Show author(s) (2008). Parody and the Erotic Beast: Relocating Titania and Bottom.
  • Show author(s) (2008). Paradise Envisioned: Landscape, Narrative and Idea in Medina and Blake.
  • Show author(s) (2008). Issues and Methods in reading Illustrated Shakespeares.
  • Show author(s) (2008). Graduate seminars on Shakespeare and visual art.
  • Show author(s) (2008). /Love's Labour's Lost/ and Visual Criticism.
  • Show author(s) (2007). The Illustrated Shakespeare 1709-1875.
  • Show author(s) (2007). Shakespeare,Illustration and critical reading.
  • Show author(s) (2007). Shakespeare in the illustrated edition.
  • Show author(s) (2007). Shakespeare and the Illustrated text.
  • Show author(s) (2007). Shakespeare and the Illustrated Edition.
  • Show author(s) (2007). Shakespeare and Illustration.
  • Show author(s) (2007). Play, page and image in renaissance drama.
  • Show author(s) (2007). Painting Shakespeare 1720-1820.
  • Show author(s) (2006). Visiting Fellow, University of New Delhi, Nov-Dec 2006.
  • Show author(s) (2006). Shakespeare and the Visual Sense (seminar chair).
  • Show author(s) (2006). Shakespeare and the Eastern Mediterranean.
  • Show author(s) (2006). Reading the Stage: The Illustrated Shakespeare.
  • Show author(s) (2006). Reading the Stage: Shakespeare, performance and illustration.
  • Show author(s) (2006). Boydell, Shakespeare and the Dialogues of National Identity.
  • Show author(s) (2005). Visualising Shakespeare: the Eighteenth Century.
  • Show author(s) (2005). Imaging Othello: Character and Play in Eighteenth-century Illustration.
  • Show author(s) (2005). Image, Genre, Interpretation: the Visual Identities of 'The Comedy of Errors'.
  • Show author(s) (2004). Visualising Shakespeare: the Artist as Critic 1728-1805.
  • Show author(s) (2004). Painting Shakespeare: the Artist as Critic, 1720-1820.
  • Show author(s) (2004). Painting Shakespeare: the Artist as Critic.
  • Show author(s) (2003). The Art of Brevity (2).
  • Show author(s) (2003). Sybchronous invention: Time in Eighteenth-Century Shakespeare Painting.
  • Show author(s) (2003). Shadowed Laughter: Shakespeare's Discomfortable Comedies.
  • Show author(s) (2003). Screen Play: Experiencing Cyberculture.
  • Show author(s) (2003). Now and in England: Poetry, Experience and Time.
  • Show author(s) (2003). Illustration and the English Novel.
  • Show author(s) (2003). An Introduction to _The Taming of the Shrew_.
  • Show author(s) (2003). 'General Ideas and the Familiar Pathetic': Hogarth, reynolds and Shakespeare.
  • Show author(s) (2002). _The Rainbow_, History and Feeling.
  • Show author(s) (2002). The Illustrated Short Story: Towards a Typology.
  • Show author(s) (2002). Shakespeare's Time, Shakespeare's Space: Painting the Plays in the Eighteenth Century.
  • Show author(s) (2002). Shakespeare and Empire (14 lectures).
  • Show author(s) (2002). Seeing Shakespeare: Text, illustration and Performance.
  • Show author(s) (2002). Seeing Shakespeare: Text, Illustration, Performance (14 lectures).
  • Show author(s) (2002). Reading paintings, reading plays: Eighteenth-century Shakespeare Paintings as Literary Reinventions.
  • Show author(s) (2002). Reading Image, Reading Text: Issues in Visual Criticism.
  • Show author(s) (2002). Re-reading Jaques.
  • Show author(s) (2002). Literature (6 lectures on Shakespeare and Turgenev).
  • Show author(s) (2002). Ironising Continuity: Forster, Woolf and the Burden of Tradition.
  • Show author(s) (2002). Introducing Literature: Shakespeare and Turgenev.
  • Show author(s) (2002). Image and Meaning in Eighteenth-century Shakespeare Painting.
  • Show author(s) (2002). Iconography and Appropriation: Shakespeare Painting in the Eighteenth Century.
  • Show author(s) (2002). Cultural Undermining in First World War Poetry.
  • Show author(s) (2002). Borrowed Attitudes: Allusion, Displacement and Appropriation in the later Eighteenth Century.
  • Show author(s) (2002). Borrowed Attitudes (continued).
  • Show author(s) (2002). An Introduction to _A Midsummer Night's Dream_.
  • Show author(s) (2001). The moon as monarch in A Midsummer Night's dream.
  • Show author(s) (2001). Rolling metaphors and megametaphors.
  • Show author(s) (2001). Lodon, Modernism and the Idea of Change.
  • Show author(s) (2001). England's Shakespeare: Shakespeare's England.
  • Show author(s) (2001). A Minimalist Eventyr: King Lear in Bergen.
Academic anthology/Conference proceedings
  • Show author(s) (2019). Breaking the Image in the renaissance. Classiques Garnier.
  • Show author(s) (2017). Shakespeare and the Visual arts: The Italian influence. Routledge.
  • Show author(s) (2016). The Cambridge Guide to the Worlds of Shakespeare. Cambridge University Press.
  • Show author(s) (2014). Shakespeare the Man. Fairleigh Dickinson University Press.
  • Show author(s) (2013). The Shakespearean International Yearbook : Special Section, Macbeth. Ashgate.
  • Show author(s) (2013). Shakespeare International yearbook. Ashgate.
  • Show author(s) (2013). Performing Wisdom: Proverbial Lore in Modern Ugangan Society. Brill|Rodopi.
  • Show author(s) (2012). Traditional Wisdom: Folktales from Uganda. KomMatters.
  • Show author(s) (2011). Visions of Venice in Shakespeare. Ashgate.
  • Show author(s) (2011). Shakespeare Closely Read: Written and Performance Texts. Fairleigh Dickinson University Press.
  • Show author(s) (2011). Scholars in Shakespeare; A Postmodern Scrutiny. Shakespeare Association of India.
  • Show author(s) (2009). Performing Change: Identity, Ownership and Tradition in Ugandan Oral Culture. Novus Forlag.
  • Show author(s) (2008). Performing Community. Novus Forlag.
Popular scientific article
  • Show author(s) (2016). Stuart Sillars on the Visual inShakespeare. fifteen eighty four.
  • Show author(s) (2014). The Horror to Come. Around the Globe. 26-26.
  • Show author(s) (2012). The new Machiavel: Henry Fuseli's Henry V. Around the Globe. 25-25.
  • Show author(s) (2011). Quite Fabulous - John Dicks' Shakespeare. Around the Globe. 2 pages.
  • Show author(s) (2011). Prince of Suspense: Daniel Maclise's painting of Hamlet. Around the Globe. 2 pages.
  • Show author(s) (2011). Let's talk of epitaphs: Hubert Gravelot and Much Ado about Nothing. Around the Globe. 2 pages.
  • Show author(s) (2009). Meditations on Love and Performance (two illustrations to Romeo and Juliet). Arnd the Globe. 36-37.
  • Show author(s) (2009). His face; the facts: review of Shakespeare found!, ed Stanley Wells. Around the Globe. 44-45.
  • Show author(s) (2009). Affection or Affectation (A nineteenth-century Troilus and Cressida illustration). Around the Globe. 32-33.
  • Show author(s) (2009). A Turbulent Pastoral: West's painting for /As You Like It/. Around the Globe. 23-23.
  • Show author(s) (2007). Drawing the Reader In. Around the Globe. 25-28.
Feature article
  • Show author(s) (1999). James A Davies: "A Reference Companion to Dylan Thomas". Westport, Conn. and London: Greenwood Press, 1998. Notes and Queries. S. 555.
Academic literature review
  • Show author(s) (2022). The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century. Modern Language Quarterly: A Journal of Literary History. 239-242.
  • Show author(s) (2019). England, Whose England? Early Modern Culture Online (EMCO). 9 pages.
  • Show author(s) (2012). Shakespeare and the medieval world [review of three books]. Shakespeare. 470-474.
  • Show author(s) (2008). review of 'The Artis as Original Genius' by William Pressly. Shakespeare Quarterly. 356-358.
  • Show author(s) (2008). Compound Visions: henry Fuseli's /Midsummer Night's dream/ Paintings. Around the Globe. 22-24.
  • Show author(s) (2008). 'Early but Late' (Review of /Two Gentlemen of Verona/, ed. Michael Warren, The Oxford Shakespeare. Around the Globe. 54-54.
  • Show author(s) (2007). Review of Lindley, /Shakespeare and Music/ and Clausen, /Macbeth Multiplied/. Archiv für das Studium der neueren Sprachen und Literaturen. 412-414.
  • Show author(s) (2005). Shakepeare's Visual Theatre. Shakespeare Quarterly. 240-243.
  • Show author(s) (2005). Shadowplay. Nordic Journal of English Studies (NJES). 166-168.
Art exhibition
  • Show author(s) (2010). Extending the Book: The Art of Extra-Illustration.

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