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Tonje Haugland Sørensen's picture

Tonje Haugland Sørensen

Postdoctoral Fellow
  • E-mailTonje.Sorensen@uib.no
  • Phone+47 55 58 22 86
  • Visitor Address
    Sydnesplassen 7
    HF-bygget
    5007 Bergen
    Room 
    512
  • Postal Address
    Postboks 7805
    5020 Bergen

My name is Tonje Haugland Sørensen, and I am currently attached to the department as a postdoctoral fellow. My project, tentatively named Overview - the art of the aerial concerns itself with the aerial perspective in a broad cultural context, but with a particular focus on perception and the visual in modern warfare. I work within the fields of Art and Visual Culture, with a particular focus on the reception of History and Historiography. My PhD, The Second World War in Norwegian film : the topography of remembrance concerned itself with Norwegian cinematic productions about WW2. An important part of my work and interests relates to Norwegian and German art in the nineteenth and early twentieth century.  

Academic article
  • Show author(s) (2019). Å konstruere et klassisk landskap - refleksjoner rundt det neo-klassiske Athen . Arr - Idéhistorisk tidsskrift. 53-65.
  • Show author(s) (2019). Proudly Peripheral. Visual Resources. 237-265.
  • Show author(s) (2018). The Trails of Memory?Remembering the Heavy Water Raid in Norway. Journal of War and Culture Studies. 240-254.
  • Show author(s) (2015). Å beherske luftrommet - Fallskjermhopperen, slagfeltet og krigens vertikalitet. Ekfrase: Nordisk Tidsskrift for Visuell Kultur. 97-108.
  • Show author(s) (2014). "Reiseskisser fra Norge i det nittende Aarhundrede.". Kunst og kultur. 170-179.
  • Show author(s) (2012). ”…DISSE GUTTA SOM SELV LIKSOM HAR VOKST OPP AV LANDSKAPET.” – ARNE SKOUEN OG HANS OKKUPASJONSDRAMAER. Nordlit. 1-14.
  • Show author(s) (2011). Norsk krigsfilm og det erindringsteoretiske perspektiv: Tilfellet Kalde Spor. Norsk Medietidsskrift. 4-18.
  • Show author(s) (2011). Norsk krigsfilm og det erindringsteoretiske perspektiv : tilfellet Kalde spor. Norsk Medietidsskrift. 4-20.
  • Show author(s) (2008). "At vort Land var et selvstændig Rige". Rekonstruksjonen av Håkonshallen i Bergen. Bebyggelseshistorisk tidskrift. 41-55.
Lecture
  • Show author(s) (2016). Kongens nei. Symbolkraft og Haakon VIIs rolle under og etter andre verdenskrig.
  • Show author(s) (2015). «Det står Skrækk av Navnet» - Dokumentarserien Finnmark mellom øst og vest og kampen mot stereotypiene.
  • Show author(s) (2014). Berlin Neues Museums’ bruk av landskapsfotografi i tematiseringen av krigshandlingene på østfronten.
Academic lecture
  • Show author(s) (2014). Visualitet og nasjonal identitet i bokverket “Norge i det Nittende Aarhundrede”.
  • Show author(s) (2014). Tessera and Tradition - The Neo-Byzantine chapel of Pope Pius IX in San Lorenzo Fuori le Mura, Rome.
  • Show author(s) (2014). Museologisk lunsj: Jean Rouch og den surrealistiske linse - refleksjoner rundt etnografi, film og museum.
  • Show author(s) (2014). Medieval to Modern Transitions.
  • Show author(s) (2013). Erindringens topografi – Arne Skouen og krigen på film.
  • Show author(s) (2013). "Airborne - perspectives of a battlefield.".
  • Show author(s) (2012). “You Must Wake Up”: The Memory of the Scorched Earth in Norwegian films.
  • Show author(s) (2012). "To Remind One of That Which Has Been Lost--The Art of Viewing and the Legacy of the Scorched Earth in the Norwegian Film, 'Stella Polaris'".
  • Show author(s) (2011). "The Role of the Mosaic in 19th-Century Germany - Constructing an imperial memory of Byzantium.".
  • Show author(s) (2011). "Of Silence and Remembrance: Knut Erik Jensen's Film Stella Polaris as re-telling, re-remembering of the Second World War.".
  • Show author(s) (2010). Remembering a Different Norway - re-enactment and commemoration in the Norwegian war film.
  • Show author(s) (2010). Krigsminneproduksjon.
  • Show author(s) (2010). Creating a Visual Representation of the Past.
  • Show author(s) (2010). Authenticity, mimesis and memoria - visuality and re-enactment Occupation Dramas.
  • Show author(s) (2009). 'The King Shed Tears Watching Max Manus:' Visual Memory, War Films and Emotion.
  • Show author(s) (2009). "Visualizing the Fallen: the re-creation of the War Memorial in the Digital age.".
  • Show author(s) (2009). "Remembrance and Truth? - Heroes of Telemark and The Battle for the Heavy Water".
  • Show author(s) (2009). "Iraqmemorial.org – Digital War Memorials and the Expanded Memorial Field".
  • Show author(s) (2008). "Tre perspektiver på Bysants".
  • Show author(s) (2008). "Barbarossa Awakwes - monuments and civic religion in Wilhwlmine Germany.".
  • Show author(s) (2007). The visualisation of Religion in Wilhelmine Germany.
  • Show author(s) (2006). The Creation of a visual memory culture in Germany through monuments.
  • Show author(s) (2006). "Religion og kulturelt minne".
Other presentation
  • Show author(s) (2013). “Kalde Spor. Å være gjemt, men ikkje glemt”.
Book review
  • Show author(s) (2015). The last western—Deadwood and the end of American empire. Historical Journal of Film, Radio and Television. 394-395.
  • Show author(s) (2015). Dansk film under nazismen. Historical Journal of Film, Radio and Television. 208-210.
  • Show author(s) (2014). “Historical Film: a critical introduction.". Historical Journal of Film, Radio and Television. 490-492.
  • Show author(s) (2014). “Et skår i fjellet”. Ekfrase: Nordisk Tidsskrift for Visuell Kultur. 118-120.
  • Show author(s) (2013). European cinema and intertextuality. History, memory and politics. Historical Journal of Film, Radio and Television. 171-172.
  • Show author(s) (2010). Ameldelse av Siri Meyer: "Hva er et bilde". Billedkunst (Oslo).
Academic anthology/Conference proceedings
  • Show author(s) (2020). European Revivals From Dreams of a Nation to Places of Transnational Exchange . Finnish National Gallery.
Academic monograph
  • Show author(s) (2016). Forestillinger om fortid. Historisk fiksjon i film og fjernsyn.
Popular scientific article
  • Show author(s) (2009). «- Tårene rant da Kongen så Max Manus». Vox publica.
  • Show author(s) (2006). Barbablanca og Barbarossa. Historie. 40-47.
Feature article
  • Show author(s) (2016). Hvor virkelig er Kongens nei? Adresseavisen.
  • Show author(s) (2015). Sterke meninger om Krigen som film. Bergens Tidende. 26-27.
Doctoral dissertation
  • Show author(s) (2015). The Second World War in Norwegian film - the topography of Remembrance.
Interview
  • Show author(s) (2015). Norgesglasset: – Todelt utfordring å lage krigsfilm.
Academic chapter/article/Conference paper
  • Show author(s) (2021). Slindebirken – en nasjonal relikvie. 23 pages.
  • Show author(s) (2019). Aktivisten Johan Christian Dahl - Historie og Kulturminner som felles arv og ansvar. 20 pages.
  • Show author(s) (2016). Memory, Mosaics and the Monarch: The Neo-Byzantine Mosaics an the Kaiser-Wilhelm-Gedächtniskirche. 19 pages.
  • Show author(s) (2014). “The Mosaics in the Apse: Friedenskirche and the construction of a desired past”. 13 pages.
  • Show author(s) (2014). “Haunted topographies-landscape photography as an act of remembrance in the Neues Museum”. 17 pages.
  • Show author(s) (2012). The Sanctified Fallen: The War Film as Witness. 15 pages.
Museum exhibition
  • Show author(s) (2015). Kysset, igjen og igjen. Rumenske ikoner fra Transylvania 1720-2890.

More information in national current research information system (CRIStin)