- E-mailtonje.sorensen@uib.no
- Phone+47 55 58 22 86
- Visitor AddressSydnesplassen 7HF-bygget5007 BergenRoom512
- Postal AddressPostboks 78055020 Bergen
My name is Tonje Haugland Sørensen, and I am currently attached to the department as a postdoctoral fellow. My project, tentatively named Overview - the art of the aerial concerns itself with the aerial perspective in a broad cultural context, but with a particular focus on perception and the visual in modern warfare. I work within the fields of Art and Visual Culture, with a particular focus on the reception of History and Historiography. My PhD, The Second World War in Norwegian film : the topography of remembrance concerned itself with Norwegian cinematic productions about WW2. An important part of my work and interests relates to Norwegian and German art in the nineteenth and early twentieth century.
- (2022). Destruction of a Sacrosanct Past: Iconoclasm and Norse Revival in Post-war Norway. European Review. S108-S114.
- (2019). Å konstruere et klassisk landskap - refleksjoner rundt det neo-klassiske Athen . Arr - Idéhistorisk tidsskrift. 53-65.
- (2019). Proudly Peripheral. Visual Resources. 237-265.
- (2018). The Trails of Memory?Remembering the Heavy Water Raid in Norway. Journal of War and Culture Studies. 240-254.
- (2015). Å beherske luftrommet - Fallskjermhopperen, slagfeltet og krigens vertikalitet. Ekfrase: Nordisk Tidsskrift for Visuell Kultur. 97-108.
- (2014). "Reiseskisser fra Norge i det nittende Aarhundrede.". Kunst og kultur. 170-179.
- (2012). ”…DISSE GUTTA SOM SELV LIKSOM HAR VOKST OPP AV LANDSKAPET.” – ARNE SKOUEN OG HANS OKKUPASJONSDRAMAER. Nordlit. 1-14.
- (2011). Norsk krigsfilm og det erindringsteoretiske perspektiv: Tilfellet Kalde Spor. Norsk Medietidsskrift. 4-18.
- (2011). Norsk krigsfilm og det erindringsteoretiske perspektiv : tilfellet Kalde spor. Norsk Medietidsskrift. 4-20.
- (2008). "At vort Land var et selvstændig Rige". Rekonstruksjonen av Håkonshallen i Bergen. Bebyggelseshistorisk tidskrift. 41-55.
- (2022). session: Critical Explorations of Nordic Art and Vitalism.
- (2022). A Villa for the World: Prefabricated Houses and National Romanticism in Nineteenth-Century Norway.
- (2021). Emancipated Troll’s- Theodor Kittelsen from a class perspective.
- (2021). Destruction of a sacrosanct past - iconoclasm in the World Wars.
- (2020). Far North in the woods – the forest as a place of mysticism and spirituality in the works of Theodor Kittelsen .
- (2019). From Theotokos to Theodora: the Gendered Reception of Byzantium.
- (2018). Gerhard Munthe and the transnational dynamics of Norwegian national art.
- (2017). Visions and Dreams – Gerhard Munthe and the Draumkvedet (the Dream Lady).
- (2017). Alteration as preservation? The stave church as a museum object.
- (2016). From Antique Craft to Modern Ideology: Mosaics as public art.
- (2015). Meaningless landscape: From national roots to transnational routes.
- (2014). Visualitet og nasjonal identitet i bokverket “Norge i det Nittende Aarhundrede”.
- (2014). Tessera and Tradition - The Neo-Byzantine chapel of Pope Pius IX in San Lorenzo Fuori le Mura, Rome.
- (2014). Museologisk lunsj: Jean Rouch og den surrealistiske linse - refleksjoner rundt etnografi, film og museum.
- (2014). Medieval to Modern Transitions.
- (2013). Erindringens topografi – Arne Skouen og krigen på film.
- (2013). "Airborne - perspectives of a battlefield.".
- (2012). “You Must Wake Up”: The Memory of the Scorched Earth in Norwegian films.
- (2012). "To Remind One of That Which Has Been Lost--The Art of Viewing and the Legacy of the Scorched Earth in the Norwegian Film, 'Stella Polaris'".
- (2011). "The Role of the Mosaic in 19th-Century Germany - Constructing an imperial memory of Byzantium.".
- (2011). "Of Silence and Remembrance: Knut Erik Jensen's Film Stella Polaris as re-telling, re-remembering of the Second World War.".
- (2010). Remembering a Different Norway - re-enactment and commemoration in the Norwegian war film.
- (2010). Krigsminneproduksjon.
- (2010). Creating a Visual Representation of the Past.
- (2010). Authenticity, mimesis and memoria - visuality and re-enactment Occupation Dramas.
- (2009). 'The King Shed Tears Watching Max Manus:' Visual Memory, War Films and Emotion.
- (2009). "Visualizing the Fallen: the re-creation of the War Memorial in the Digital age.".
- (2009). "Remembrance and Truth? - Heroes of Telemark and The Battle for the Heavy Water".
- (2009). "Iraqmemorial.org – Digital War Memorials and the Expanded Memorial Field".
- (2008). "Tre perspektiver på Bysants".
- (2008). "Barbarossa Awakwes - monuments and civic religion in Wilhwlmine Germany.".
- (2007). The visualisation of Religion in Wilhelmine Germany.
- (2006). The Creation of a visual memory culture in Germany through monuments.
- (2006). "Religion og kulturelt minne".
- (2015). The last western—Deadwood and the end of American empire. Historical Journal of Film, Radio and Television. 394-395.
- (2015). Dansk film under nazismen. Historical Journal of Film, Radio and Television. 208-210.
- (2014). “Historical Film: a critical introduction.". Historical Journal of Film, Radio and Television. 490-492.
- (2014). “Et skår i fjellet”. Ekfrase: Nordisk Tidsskrift for Visuell Kultur. 118-120.
- (2013). European cinema and intertextuality. History, memory and politics. Historical Journal of Film, Radio and Television. 171-172.
- (2010). Ameldelse av Siri Meyer: "Hva er et bilde". Billedkunst (Oslo).
- (2020). European Revivals From Dreams of a Nation to Places of Transnational Exchange . Finnish National Gallery.
- (2009). «- Tårene rant da Kongen så Max Manus». Vox publica.
- (2006). Barbablanca og Barbarossa. Historie. 40-47.
- (2016). Hvor virkelig er Kongens nei? Adresseavisen.
- (2015). Sterke meninger om Krigen som film. Bergens Tidende. 26-27.
- (2019). Reflective Exhibition Essay.
- (2017). Fontenen med det gyldne taket : Historisme og modernitet i Tyskland og det Ottomanske rike c. 1900. Dragomanen: Årsskrift utgiven av Svenska Forskningsinstitutet i Istanbul. 45-55.
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