Hjem
  • E-postAlvaro.Seica@uib.no
  • Telefon+47 55 58 21 85
  • Besøksadresse
    HF-bygget, LLE
    Sydnesplassen 7
    5007 Bergen
    Rom 
    HF 279
  • Postadresse
    Postboks 7805
    5020 Bergen

Álvaro Seiça er en portugisisk forfatter og forsker. Han er en Marie Skłodowska-Curie Fellow ved Universitetet i Bergen, University of California, Los Angeles og Universidade de Coimbra, hvor han undersøker den poesikken og politikken av sletting innen det EU-finansierte prosjektet “ARTDEL: The Art of Deleting.” Han har doktograd i Digital Kultur fra UiB, med Ph.d.-avhandling “setInterval(): Time-Based Readings of Kinetic Poetry” (2017). Han har publisert flere diktsamlinger, bl.a. Supressão (2019), upoesia (2019), Previsão para 365 poemas (2018), Ensinando o espaço (2017), Ö (2014) og Permafrost (2012), samt den akademiske boken Transdução (2017).

Utvalgte publikasjoner
  • Karhio, Anne Sofia; Seiça, Álvaro. 2019. Hyperrhiz 20. Hyperrhiz: The New Media Culture. 20. doi: 10.20415/hyp/020
  • Seiça, Álvaro. 2017. setInterval(): Time-Based Readings of Kinetic Poetry. 433 sider.
  • Seiça, Álvaro. 2017. The Freedom Adventure of Portuguese Experimentalism and Kinetic Poetry. 9, sider 165-180. I:
    • Tabbi, Joseph. 2017. The Bloomsbury Handbook of Electronic Literature. Bloomsbury Academic. 500 sider. ISBN: 9781474230254.
  • Seiça, Álvaro. 2017. Transdução: Processos de Transferência na Literatura Electrónica e Arte Digital. Edições Húmus. 160 sider. ISBN: 978-989-755-241-0.
  • Seiça, Álvaro; Torres, Rui. 2016. O Experimentalismo como Invenção, Transgressão e Metamorfose: A PO.EX Revisitada Através de Po-ex.net. Colóquio. Letras. 193: 9-17. doi: http://coloquio.gulbenkian.pt/bib/sirius.exe/getrec?mfn=18940&_template=singleRecord
  • Seiça, Álvaro. 2016. Digital Poetry and Critical Discourse: A Network of Self-References? MatLit (Centro de Literatura Portuguesa da Universidade de Coimbra). 4: 95-123. doi: 10.14195/2182-8830_4-1_6

DIKULT 103: Digital Genres: Digital Art, Electronic Literature, and Computer Games

DIKULT 106: Culture and Norms in the Information Society: Identity, Gender and Social Interaction

DIKULT 203: Electronic Literature

DIKULT 207: Digital Humanities in Practice

  • 2019. upoesia v0.1 [demo]. 292-321. I:
    • 2019. Fobias - Fonias - Fagias. Escritas Experimentais e Eletrónicas Ibero-Afro-Latinoamericanas. Edições Universidade Fernando Pessoa.
  • 2019. Supressão. Urutau.
  • 2019. Poesia e Rasura.
  • 2019. Other Codes / Cóid Eile: Re-thinking Context in Digital Literature. Hyperrhiz: The New Media Culture.
  • 2019. Kinetic Poetry.
  • 2019. Hyperrhiz 20. Hyperrhiz: The New Media Culture.
  • 2019. Erasure Poetry: Introduction and Visualization.
  • 2018. Ö (English translation). Publication Studio Malmö.
  • 2018. Previsão para 365 Poemas. não (edições).
  • 2018. Presenting the Po-ex.net: The Digital Archive of Portuguese Experimental Literature. OEI. 505-507.
  • 2018. Kinetic Poetry: From Screening to Running Interactive Language.
  • 2017. setInterval(): Time-Based Readings of Kinetic Poetry.
  • 2017. as valas abertas ++ des fossés ouverts ++ open ditches.
  • 2017. Transduction: Transfer Processes in Electronic Literature and Digital Art.
  • 2017. The Freedom Adventure of Portuguese Experimentalism and Kinetic Poetry. 16 sider.
  • 2017. Ensinando o Espaço. não (edições).
  • 2017. A Literatura como Eco: House of Leaves de Mark Z. Danielewski. 17 sider.
  • 2016. who emigrates departs with #words in their pockets @ aimisola.net/hymiwo.po. Cibertextualidades. 41-56.
  • 2016. O Experimentalismo como Invenção, Transgressão e Metamorfose: A PO.EX Revisitada Através de Po-ex.net. Colóquio. Letras. 9-17.
  • 2016. Digital Poetry and Critical Discourse: A Network of Self-References? MatLit (Centro de Literatura Portuguesa da Universidade de Coimbra). 95-123.
  • 2015. p2p: Polish-Portuguese E-Lit.
  • 2015. The Digital Diasthima: Time-Lapse Reading as Critical and Creative Performance.
  • 2015. The Digital Diasthima: Time-Lapse Reading Digital Poetry. Proceedings of the International Symposium on Electronic Art. 315-318.
  • 2015. The Digital Diasthima: Time-Lapse Reading Digital Poetry. 4 sider.
  • 2015. Digital Poetry and Meta-Discourse: A Network of Self-References?
  • 2015. A Luminous Beam: Reading the Portuguese Electronic Literature Collection. Texto Digital. 387-419.
  • 2014. Ö. Self-published.
  • 2014. Time-Lapse Reading as Critical Performance.
  • 2014. The PO.EX Digital Archive of Portuguese Experimental Literature: A Review. .
  • 2014. The PO.EX Digital Archive of Portuguese Experimental Literature: A Review. .
  • 2014. The ELMCIP Electronic Literature Knowledge Base: A Review. .
  • 2014. Finding No Object: A Traversal through Processes in Digital Poetry.
  • 2014. Electronic Literature and Online Literary Databases: The PO.EX and ELMCIP Cases. RISS : magasin for studentar og tilsette ved Institutt for nordistikk og litteraturvitskap, Universitetet i Trondheim. 89-102.
  • 2014. A Luminous Beam: Reading the Portuguese Electronic Literature Collection.
  • 2014. A Beam of Light: Reading the Portuguese Electronic Literature Collection.
  • 2013. The Factorial Literature [l!]. Cibertextualidades. 97-113.
  • 2013. Manuel Portela and Rui Torres on the Portuguese E-Lit Collection at ELMCIP.net.
  • 2012. The Transducer Function: An Introduction to a Theoretical Typology in Electronic Literature and Digital Art. Journal of Science and Technology of the Arts. 71- 79.
  • 2012. Permafrost: 20+1 Zeptopoemas SMS. Bypass Editions.
  • 2012. E-Borges: Stuart Moulthrop’s Victory Garden. Op. Cit.. 130-141.
  • 2012. Anti-Spam: Reinventing Data. Visual Communication. 1-13.
  • 2011. Transduction: Transfer Processes in Digital Literature and Art.
  • 2010. Literature as Echo: Mark Z. Danielewski's House of Leaves. Op. Cit.. 241-255.

Se fullstendig oversikt over publikasjoner i CRIStin.

Ph.D., Digital Kultur, Universitetet i Bergen, 2018

M.A., Samtidsamerikansk Litteratur, Universitetet i Évora, 2011

B.A., Moderne Språk og Litteratur, NOVA Universitetet i Lisboa, 2007

ARTDEL, Marie Skłodowska-Curie Global Fellowship (2018-2021), H2020-MSCA-IF-2017: "The Art of Deleting: A Study of Erasure Poetry, Practices of Control, Surveillance, and Censorship." Universitetet i Bergen, University of California, Los Angeles og Universidade de Coimbra. Veiledere: Scott Rettberg og Johanna Drucker. https://cordis.europa.eu/project/rcn/215130/factsheet/en

ELMCIP KB (2013-): http://elmcip.net

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