Hjem
Dániel Péter Birós bilde

Dániel Péter Biró

Professor
  • E-postdpbiro@uib.no
  • Telefon+47 55 58 39 71
  • Besøksadresse
    Lars Hillesgt. 3
  • Postadresse
    Postboks 7800
    5020 Bergen
Vitenskapelig artikkel
  • Biró, Dániel Péter. 2016. Emanations: Reflections of a Composer. Konzepte. 39-62.
  • Biró, Dániel Péter. 2015. Existenz und Ablenkung. Musik & Ästhetik. 95-99.
  • Biró, Dániel Péter; Ness, Steven; Tzanetakis, George. 2010. Computer-assisted cantillation and chant research using content-aware web visualization tools. Multimedia tools and applications. 207-224.
  • Biró, Dániel Péter. 2009. Crowns. Kunstmusik. 2-8.
  • Biró, Dániel Péter. 2008. Remembering and Forgetting Lizkor VeLiskoach for String Quartet after Schubert. Circuit _ Musiques Contemporaines. 39-60.
  • Biró, Dániel Péter. 2005. Composing Mishpatim – Laws: A Response to Ben’s Mishna Music as a Music. Perspectives of New Music. 232-265.
Faglig foredrag
  • Biró, Dániel Péter. 2020. SmalPrat with nyMusikk Bergen.
  • Biró, Dániel Péter. 2020. Gender, Inspiration and the Creative Process.
  • Biró, Dániel Péter. 2019. Spinoza’s Ethics: Secular Religion Expressed in Historicized and Contemporary Sound.
  • Biró, Dániel Péter. 2019. Composing Ethica after Baruch Spinoza” .
  • Biró, Dániel Péter. 2018. Deus Sive Natura: Das theologische Weltbild von Spinoza in Musik ausgedrueckt.
  • Biró, Dániel Péter. 2018. Deus Sive Natura, Understanding Spinoza’s Ethics in terms of Jewish History.
  • Biró, Dániel Péter. 2015. On the Historical Development and Practice of the Ta’amei Hamikra.
  • Biró, Dániel Péter. 2015. On Transcription.
  • Biró, Dániel Péter. 2014. Existence and Distraction.
Vitenskapelig foredrag
  • Biró, Dániel Péter. 2018. Komposition als Archäologie.
  • Biró, Dániel Péter. 2018. Composition and Philosophy.
  • Biró, Dániel Péter. 2018. Composing Spinoza’s Ethics: Charting a Migration of Spirit Through Sound.
  • Biró, Dániel Péter. 2018. Composing Spinoza’s Ethics.
  • Biró, Dániel Péter. 2016. Religious Recitation as Oral Culture.
  • Biró, Dániel Péter; Van Kranenburg, Peter; Tzanetakis, George. 2016. Melodic Stability and Memory Analysis in Semi-Oral Chant Traditions: A Computational Study of Qur’an Recitation and Torah Trope.
  • Biró, Dániel Péter. 2015. Musical Topics in Music of the 20th/21st Centuries.
  • Biró, Dániel Péter. 2015. Music Composition as Research of History and Memory.
  • Biró, Dániel Péter. 2015. Mishpatim (Laws) compositional cycle.
  • Biró, Dániel Péter. 2015. Ehyeh-Asher-Ehyeh: The Future of Historicized, Non-Representational New Music.
  • Biró, Dániel Péter. 2014. Mahler’s Modernities.
  • Biró, Dániel Péter. 2013. Current Compositional and Ethnomusicological Research.
Musikk - innspillingsprodukt
  • Biró, Dániel Péter. 2018. Nulla Res Singularis, Broadcast on Deutschlandfunk, Jan. 8, 2018.
Annen presentasjon
  • Biró, Dániel Péter. 2019. Ethica: Presentation at Norwegian Youth Chamber Music Festival.
  • Biró, Dániel Péter. 2019. De Natura et Origine.
  • Biró, Dániel Péter. 2018. Portait Concert of the Works of Dániel Péter Biró.
Anmeldelse
  • Biró, Dániel Péter; Schloss, Andrew. 2007. African Rhythms by Pierre-Laurent Aimard, György Ligeti, Steve Reich, Simha Arom. Ethnomusicology. 162-165.
Vitenskapelig antologi/Konferanseserie
  • Biró, Dániel Péter; Krebs, Harald; Krebs, Harald. 2014. The String Quartets of Béla Bartók: Tradition and Legacy in Analytical Perspective. Oxford University Press.
Vitenskapelig monografi
  • Biró, Dániel Péter; Goldman, Jonathan; Stratz, Constanze; Heusinger, Detlef. 2018. Live-Electronics in the SWR EXPERIMENTALSTUDIO.
  • Biró, Dániel Péter; Polzhofer, Kai. 2016. Perspectives for Contemporary Music in the 21st Century.
Kompendium
  • Biró, Dániel Péter; Van Kranenburg, Peter. 2014. A Computational Re–Examination Of Bela Bartok’s Transcription Methods as Exemplified by his Sirato Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur’an Recitation." • Holzapfel, A. (ed.). Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014). Istanbul : Bogazaci University, 2014, pp. 70-77. .
  • Biró, Dániel Péter; Van Kranenburg, Peter; Ness, Steven; Tzanetakis, George. 2012. Stability and Variation in Cadence Formulas in Oral and Semi-Oral Chant Traditions – a Computational Approach.”.
Lydmateriale
  • Biró, Dániel Péter. 2019. Mishpatim (Laws).
Doktorgradsavhandling
  • Biró, Dániel Péter. 2004. Reading the Song: On the Development of Musical Syntax, Notation and Compositional Autonomy: A Comparative Study of Hungarian Siratók, Hebrew Bible Cantillation and Plainchant from St. Gallen.
Intervju
  • Biró, Dániel Péter. 2018. Canadian Excellence, Global Recognition: Canada’s 2017 Winners of Major International Research Awards, .
  • Biró, Dániel Péter. 2017. Festival Diktaturen: Dániel Péter Biró discussed his composition Nulla Res Singularis, based on text from Baruch Spinoza’s Ethics.
Dokumentar
  • Biró, Dániel Péter. 2018. Die Amerikatournee: Der Komponist Dániel Péter Biró, Film about work with Klangforum Heidelberg .
Programdeltagelse
  • Biró, Dániel Péter. 2017. Verfolgt, vertrieben, verboten. Wenn Komponisten ins Kreuzfeuer politischer Ideologien geraten .
Vitenskapelig Kapittel/Artikkel/Konferanseartikkel
  • Biró, Dániel Péter; Schallié, Charlotte. 2019. Studies in Contrast: Notes from the Field.
  • Biró, Dániel Péter. 2016. Ehiye asher Eyihe: the Future of Historicized, Nonrepresentational New Music .
  • Biró, Dániel Péter. 2014. The Sound of the Voice is the Name of the Place: On Compositional Allegory in Al Ken Kara (That Is Why It Was Called).
  • Biró, Dániel Péter. 2014. Bartók's Quartets, Folk Music, and the Anxiety of Influence.
  • Biró, Dániel Péter. 2012. Reading the Song and Remembering the Word: Musical Material and ‘Historicized Composition’ in Ko Amar (Thus Said).
  • Biró, Dániel Péter; Van Kranenburg, Peter; Ness, Steven; Tzanetakis, George. 2011. A Computational Investigation of Melodic Contour Stability in Jewish Torah Trope Performance Traditions.
  • Biró, Dániel Péter. 2008. Variations on Variations.
  • Biró, Dániel Péter. 2008. Musik und die Einwanderung der Sprache.
Musikalsk framføring
  • Biró, Dániel Péter. 2020. Udvarim Achadim (et les même Mots) (Version 2020) for saxophone quartet and electronics.
  • Biró, Dániel Péter. 2019. Simanim (Signs/Traces): concert at Timespans Festival in August, 2019.
  • Biró, Dániel Péter. 2019. Kilkul (Breakdown): performance at Chapelle historique du Bon-Pasteur in Montréal, QC, Canada.
  • Biró, Dániel Péter. 2019. Ethica: Performance with Bit20 at Grieghallen.
  • Biró, Dániel Péter. 2018. Scholium II, Festakt Concert at the Annual Meeting of the Swiss Philosophy Association, Basel, Switzerland.
  • Biró, Dániel Péter. 2018. Scholium II, Concert at the Völkerkundemusem (Museum for Ethnography) in Heidelberg, Germany .
  • Biró, Dániel Péter. 2018. Scholium II, Concert at the Nikolausberger Musiktage in Göttingen, Germany.
  • Biró, Dániel Péter. 2018. Portrait concert of works by Dániel Péter Biró, Americas Society, New York, USA.
  • Biró, Dániel Péter. 2018. Lizkor Velishkoach (To Remember and to Forget), concert performed by the Lafayette String Quartet .
  • Biró, Dániel Péter. 2018. Gvul (Border) Version II, Concert at Ariowitsch-Haus, Zentrum Jüdischer Kultur.
  • Biró, Dániel Péter. 2018. Concert at Musikalischen Kultursalons at the Zentrum für Gegenwartsmusik at the Leipziger Hochschule für Musik und Theater “Felix Mendelssohn Bartholdy”.
  • Biró, Dániel Péter. 2018. Concert at Congregation Emanuel, Victoria, BC.
  • Biró, Dániel Péter. 2017. Shevarim (Breakings) for piano solo, performed at Bargemusic, New York (2017).
  • Biró, Dániel Péter. 2017. Nulla res singulares.
  • Biró, Dániel Péter. 2017. Mishpatim (Laws) Part 1, performed at E-werk, Freiburg, Germany (2017).
  • Biró, Dániel Péter. 2017. Mishpatim (Laws) Part 1 Concert at ISCM World Music Days in Vancouver.
  • Biró, Dániel Péter. 2017. Mishpatim (Laws) Part 1.
  • Biró, Dániel Péter. 2017. Gvul (Border) performed at at the Site-Mémorial du Camp de Milles in Aix-en-Provence, France.
  • Biró, Dániel Péter. 2017. Fragmina ex axiomata .
  • Biró, Dániel Péter. 2017. Al Ken Kara (That Is Why It Was Called), performed at the Átlátszó Hang Festival in Budapest, Hungary (2017).
  • Biró, Dániel Péter. 2016. Mitoch He’anan (From the Midst of the Cloud) Version II, performed atLa Chapelle historique du Bon-Pasteur in Montreal, Canada (2016).
  • Biró, Dániel Péter. 2016. Kivrot HaTa’avah (Graves of Craving) Version II, performed at the International Symposium of New Music in Curitiba, Paraná, Brazil (2016).
  • Biró, Dániel Péter. 2016. Kivrot HaTa’avah (Graves of Craving) Version II, performed at the Institut für Elektronische Musik und Akustik at the University of Music and Performing Arts in Graz, Austria (2016).
  • Biró, Dániel Péter. 2016. Kivrot HaTa’avah (Graves of Craving) Version II, performed at the Festival Átlátszó Hang in Budapest, Hungary (2016).
  • Biró, Dániel Péter. 2016. Bemitzraim (In Egypt), performed at Syker Vorwerk in Syke, Germany (2016).
  • Biró, Dániel Péter. 2016. Al Ken Kara (That Is Why It Was Called), premiered at the Osterfestival Imago Dei in Krems, Austria (2016).
  • Biró, Dániel Péter. 2015. Vayiru Et (And They Saw) – In Memoriam Matan Givol, performed at the Festival Montréal/Nouvelles Musiques and Matrix 15 on Tour (2015).
  • Biró, Dániel Péter. 2015. Sefirot (Emanations), premiered at the University of Heidelberg (2015).
  • Biró, Dániel Péter. 2015. Sefirot (Emanations), performed at the Wilhelm-Hack-Museum in Ludwigshafen (2015).
  • Biró, Dániel Péter. 2015. Sefirot (Emanations), performed at the Technoseum in Mannheim, Germany (2015) .
  • Biró, Dániel Péter. 2015. Salvim (Quails), premiered at the festival VIRTUOSI XVIII in Recife, Brazil. (2015).
  • Biró, Dániel Péter. 2015. Mitoch He’anan (From the Midst of the Cloud), premiered at New Music Edmonton in Edmonton, Canada (2015).
  • Biró, Dániel Péter. 2015. Memory (Installation).
  • Biró, Dániel Péter. 2015. Kivrot Hata’avah (Graves of Craving) performed at the Gala of the Royal Society of Canada Annual General Meeting (2015).
  • Biró, Dániel Péter. 2015. Kivrot HaTa’avah (Graves of Craving) for solo bass flute, performed at the SALT New Music Festival and Symposium (2015).
  • Biró, Dániel Péter. 2014. Kilkul (Breakdown) for solo saxophon, performed at the SIMN 2014 / Matrix14 on Tour in Curitiba, Brazil (2014).
  • Biró, Dániel Péter. 2014. Bemitzraim (In Egypt), performed at the Foro Internacionel de Música Nueva Maunuel Enríquez in Mexico City (2014).
  • Biró, Dániel Péter. 2014. Bemitzraim (In Egypt), performed at the Berger Park Cultural Center in Chicago, USA (2014).
  • Biró, Dániel Péter. 2014. Al Ken Kara (That Is Why It Was Called), premiered as part of the Mediterranean Voices Project at the Eclat Festival (2014).
  • Biró, Dániel Péter. 2014. Al Ken Kara (That Is Why It Was Called), performed at the Teatro de la Zarzuela in Madrid (2014).
  • Biró, Dániel Péter. 2014. Al Ken Kara (That Is Why It Was Called) for seven voices.
  • Biró, Dániel Péter. 2014. Al Al Ken Kara (That Is Why It Was Called) Version II, premiered at the Teatro Fondamenta Nuove in Venice (2014).
  • Biró, Dániel Péter. 2013. Vaya’al Moshe (And Moshe Ascended), performed at the Center for Contemporary and Electronic Music in Tel Aviv (2013).
  • Biró, Dániel Péter. 2013. Vaya’al Moshe (And Moshe Ascended) revised version, performed at the Theaterhaus Stuttgart (2013).
  • Biró, Dániel Péter. 2013. Livnat Hasapir (Sapphire Brickwork), performed at the University of Victoria, School of Music (2013).
  • Biró, Dániel Péter. 2013. Kivrot HaTa’avah (Graves of Craving), premiered at the 2013 World New Music Days in Vienna (2013).
Musikk - komposisjon
  • Biró, Dániel Péter. 2020. Udvarim Achadim (et les même Mots) for saxophone quartet (Version 2020).
  • Biró, Dániel Péter. 2019. Ethica (2017-2019).
  • Biró, Dániel Péter. 2018. Scholium 2.
  • Biró, Dániel Péter. 2018. Nulla Res Singularis.
  • Biró, Dániel Péter. 2018. Gvul (Border).
  • Biró, Dániel Péter. 2018. Ex Natura et Origine.
  • Biró, Dániel Péter. 2017. Shvarim (Breakings).
  • Biró, Dániel Péter. 2017. Mishpatim (Laws) Part 1: Lo Tisa (Do Not Accept).
  • Biró, Dániel Péter. 2017. Fragmina ex axiomata.
  • Biró, Dániel Péter. 2015. Sefirot (Emanationen).
  • Biró, Dániel Péter. 2012. Salvim (Quails).
  • Biró, Dániel Péter. 2012. Bahar (Auf dem Berg).
  • Biró, Dániel Péter. 2011. Kivrot Hata'avah (Gräber der Begierde).
  • Biró, Dániel Péter. 2011. Hadavar (Das Wort) (Version 2).
  • Biró, Dániel Péter. 2010. Gam Zera (Also the Seed).
  • Biró, Dániel Péter. 2009. Kilkul (Breakdown).
  • Biró, Dániel Péter. 2005. Bemizrajim (In Ägypten).
  • Biró, Dániel Péter. 2002. Messages (Botschaften).
  • Biró, Dániel Péter. 2000. Lizkor veLishkoah (To Remember and to Fortget).
Faglig kapittel
  • Biró, Dániel Péter. 2019. Composing Gvul.
Intervju tidsskrift
  • Biró, Dániel Péter; Goldman, Jonathan. 2010. Enquête sur l'avenir de la musique contemporaine. Circuit _ Musiques Contemporaines. 101-104.

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