Prosjekt om forfatterskap og opphavsrett
Of Authorship and Originality er et tverrfaglig forskningsprosjekt finansiert av HERA (Humanities in the European Research Area). Prosjektet Of Authorship and Originality er et samarbeid mellom Informasjons- og medievitenskap, Centre for Intellectual Property and Information Law (Cambridge) og Institute for Information Law (Amsterdam).
Prosjektet Of Authorship and Originality er et samarbeid mellom Informasjons- og medievitenskap, Centre for Intellectual Property and Information Law (Cambridge) og Institute for Information Law (Amsterdam).
Of Authorship and Originality er et tverrfaglig forskningsprosjekt finansiert av HERA (Humanities in the European Research Area). Formålet med prosjektet er å undersøke hvilken relevans innsikter fra litteraturvitenskap, musikkvitenskap, filmvitenskap og andre humanvitenskapelige disipliner kan ha for opphavsrettslovgivningen i vår digitale tidslader. Deltakerne på prosjektet analyserer ulike forståelser av begrep som står sentralt både i humanvitenskapen og i jussen, som forfatterskap, verk og originalitet.
Sammendrag av de individuelle prosjektene:
Authorship in Collective Arts
Department of Information Science and Media Studies (Infomedia) University of Bergen
Prof. Jostein Grisprud, principal investigator
Dr. Erlend Lavik, post-doc researcher
This project’s theoretical challenge lies in finding a way to modify the traditional Romanticist notion of authorship that still inform today’s copyright laws, particularly in view of the characteristics of collaborative production of artworks in different media and genres, without giving up on the idea that creators or authors of such works must retain a right to certain forms of control of the subsequent use of their works. In collaboration with our partners in the field of law, we wish to identify ways in which a renewed understanding could and should impact on the making and the interpretation of copyright law. While exploring theoretical contributions in several disciplines, our empirical focus will be creative processes in audiovisual production and popular music. Both cultural forms are heavily dependent on digital technologies and are thoroughly marked by collaborative forms of production. The Bergen project will study these two media and genres using well-proven ethnographic methodologies (participant observation and semi-structured interviews).
Multiplicity of Authors
Centre for Intellectual Property and Information Law (CIPIL) Faculty of Law, University of Cambridge
Prof. Lionel Bently, principal investigator
Dr. Laura Biron, post-doc researcher
At present, by and large, national rules on authorship and copyright ownership are still based on the author as an individual autonomous agent operating in isolation. Within the overall theme of the research proposal on creative collaboration in the digital environment and copyright’s response to facilitate such creative expression (or rather lack of it), the project by CIPIL will focus on problems of multiple authorship. Central in this stream are the relations between contributors: how roles are perceived within creative communities, and the status that copyright law attaches to the various roles, notably the allocation of authorial control both as regards economic rights and immaterial interests (the ’moral rights’ of the author). Drawing upon the authorship theories explored in the initial phase of the CRP, and incorporating the results of the case studies by the Infomedia, the CIPIL project will re-evaluate notions of co-authorship and develop approaches that are conducive to collaborative creative production.
The Work as Creative Expression
Institute for Information Law (IViR) Faculty of Law, University of Amsterdam
Dr. Mireille van Eechoud, principal investigator and overall project leader
Stef van Gompel, post-doc researcher
Prof. dr. Bernt Hugenholtz, advisor
This project queries the continued viability of the ’original work of authorship’ as a legal object. From an economic perspective, the delineation of copyright subject-matter is ofcourse necessary in order to make it a marketable entity. Copyright law thus has a natural tendency to view creative expression as a ’thing’, to which rights are attached. At the same time, the law in many jurisdictions now seems to have evolved to the point where ’original’ and ’creative’ seem to be synonymous terms, both meaning little more than ’not directly copied’ or ’resulting from a modicum of freedom of choice’. In this stream the focus is on insights humanities scholarship can provide to critically rethink the concept of 'work of authorship'. We are particularly interested in how it may inform a copyright policy that better facilitates the needs of creators to engage with existing works and materials without having to seek prior authorisation. Such a rethink also needs to consider the current harmonised right of reproduction, which is essentially a very broad technical concept, lacking normative meaning. We are also particularly interested in how copyright theory can better recognise art forms and practices where the creative value is in the processes as much (or even more so) as in the final product or artefact.