Irina Anisimova's picture

Irina Anisimova

Postdoctoral Fellow
  • E-mailIrina.Anisimova@uib.no
  • Phone+47 55 58 84 39
  • Visitor Address
    Sydnesplassen 7
    5007 Bergen
  • Postal Address
    Postboks 7805
    5020 Bergen

I am a postdoctoral Fellow at the Department of Foreign Languages. I specialize in contemporary Russian culture. My interests include such topics as contemporary Russian literature and film, postmodernism, new media, and post-colonial theory.

Academic article
  • Show author(s) (2022). Embodying the spirit of the time: traumatic history in Vladimir Sharov’s fiction. Canadian Slavonic Papers. 1-19.
  • Show author(s) (2020). From Celebrated Novel to Media Outrage: The Public Debate Surrounding the Miniseries Zuleikha Opens Her Eyes. Slavica Bergensia. 107-127.
  • Show author(s) (2019). Between Nation and Empire: Alexander Pushkin’s The Captain’s Daughter . Pushkin Review/Pushkinskii Vestnik. 155-178.
  • Show author(s) (2018). ‘E’ for Empire: Empire and Postmodernism in the Context of the Sochi Olympic Games. Studies in Russian and Soviet Cinema. 1-18.
  • Show author(s) (2022). Where is Russia headed? Public opinion and a silent opposition.
Popular scientific lecture
  • Show author(s) (2022). The MCB Fact Conference debuted during Future Week 2022.
  • Show author(s) (2020). Elections and Protests in Belarus.
Academic lecture
  • Show author(s) (2021). Book launch: The Cultural is Political: Intersections of Russian Art and State Politics.
Academic anthology/Conference proceedings
  • Show author(s) (2020). The Cultural is Political: Intersections of Russian Art and State Politics. Dept of Foreign Languages, University of Bergen.
Popular scientific article
  • Show author(s) (2022). «Fullstendig isolasjon av Russland vil føre til opp­rettelsen av et jernteppe». Khrono.no.
  • Show author(s) (2022). Aleksei German Jr: House Arrest (Delo, 2021). KinoKultura.
  • Show author(s) (2021). Ivan I. Tverdovskii: Conference (Konferentsiia, 2020). KinoKultura.
  • Show author(s) (2020). Klim Shipenko: The Serf (Kholop, 2019). KinoKultura.
  • Show author(s) (2019). Mikhail Raskhodnikov: Temporary Difficulties (Vremennye trudnosti, 2018). KinoKultura. 3 pages.
  • Show author(s) (2018). Aleksei Pimanov, Crimea. KinoKultura. 3 pages.
  • Show author(s) (2022). Russiske stjerner manipulerte vekk krigssymbol etter Putin-show: – Taktisk.
  • Show author(s) (2022). Russiske kunstnere har gått fra selvsensur til nå å rømme landet.
  • Show author(s) (2022). Russere til TV 2: – Vi merker ikke sanksjonene.
  • Show author(s) (2022). Russere til TV 2: Frykter sanksjonene kan skape hat mot Vesten.
  • Show author(s) (2022). Rammes hardt av sanksjonene: – Alle er nervøse.
  • Show author(s) (2022). PUTINS PROPAGANDAKRIG.
  • Show author(s) (2022). Oligark-mysteriet: Tok de livet sitt, eller ble de drept av russiske myndigheter?
  • Show author(s) (2022). Hva vet en vanlig russer om invasjonen av Ukraina?
  • Show author(s) (2022). Her kjem dei russiske soldatane heim: – Alt her luktar død no.
  • Show author(s) (2022). Er blitt stille: - Skremmende utvikling.
  • Show author(s) (2021). Пост-Советское Кино, Интервью.
  • Show author(s) (2021). Post-Soviet Cinema, Interview.
Academic chapter/article/Conference paper
  • Show author(s) (2020). Introduction. 9 pages.

More information in national current research information system (CRIStin)

“Post-Soviet ‘Orient’ in Stories by Vladimir Makanin and Liudmila Petrushevskaia.” Canadian Slavonic Papers 59.1-2 (2017): 1-19.

Book review, “Lipovetsky, Mark, and Lisa Ryoko Wakamiya, eds. Late and Post-Soviet Russian Literature: A Reader.  Book 1. Perestroika and the Post-Soviet Period. Book 2. Thaw and Stagnation.” Russian Review 76.2 (2017).

Film review, “Vladimir Kott, The Lower Depths.” KinoKultura (April 2016).

Film review, “Aleksandr Vartanov and Kirill Mikhanovskii Dubrovsky.” KinoKultura (October 2014).

 “Nikita Mikhalkov’s Burnt by the Sun.” Routledge Encyclopedia of Film (length: 2,000 words). 2014.

“From Consumption to Objectification in Viktor Pelevin’s ‘Akiko’.” Studies in Slavic Cultures X (2012): 60-74.

Film Review, “Aleksei Balabanov: Me too.” KinoKultura (April 2012).

Film Review, “Roman Karimov: Inadequate People.” KinoKultura (July 2011).

 “Terrors of History: Revolutionary Gothic in ‘Mother Earth’ by Boris Pilniak.” Slavic and East European Journal 55.3 (2011): 376-95.

Book Review, “Stage Fright: Politics and the Performing Arts in Late Imperial Russia by Paul Du Quenoy.” Slavic and East European Journal 54.4 (2010).

 “Masks of Authenticity: Failed Quests for the People in Quicksand by Nella Larsen and The Silver Dove by Andrei Belyi.” The Comparatist-Journal of the SCLA 32 (2008):  175-92.

“Métissage as an Oppositional Practice.” Atlantikos: A Journal of Transatlantic Scholarship 1 (2006): 16-31.


I am currently working on a book project preliminary titled Power and Subversion: Russian Culture in Transition, which examines intersections of contemporary Russian culture and politics in the 2000s. Specifically, the project investigates responses of contemporary Russian writers to two interrelated cultural trends: the conservative and imperial state ideology and its representation by official media using postmodernist aesthetics and fluid and contradictory narratives.